Les Condés: Policiers à Marseille

The dangers of LSD are driven home to teenagers in this classroom training film, which is "narrated" by an LSD tab. The "tab" tells kids that he is "a depth charge in the mind!" and various teenagers are shwn babbling about their LSD experiences. "Experts" are presented who warn that LSD makes kids "paint themselves green" and has various other horrible side effects, the most serious of which is that it gives users a police record, and that there is "no known way of getting your fingerprints out of a police file once they're in there."

Summer 2024, a TSW story

In an intense action-filled 85 minutes, you will learn to defend yourself against the mounting threat of “knife culture” offenders.

Le Temps d'un détour. Marseille au XIXe siècle

Police à bout de souffle

Demonstration of shoplifting methods. With the Cooperation and Assistance of Berkeley, California Police Department and Berkeley Police Reserve; Addison H. Fording, Chief of Police; J.F. Hink & Son Department Store, L.W. Hink, President. Technical Assistance: Wm. P. Beall, Lieutenant; E.A. Skells, Sergeant, Berkeley Police DepartmentGeorge Jelten, Director of Visual Merchandising, J.F. Hink and Son. Director of Photography: John L. Siegle. Sound: Walter D. Porep. Narration: John E. Pedersen.

"El Rati Horror Show" is a documentary that portrays the dramatic story of Fernando Ariel Carrera, the case of an ordinary man wrongly sentenced to thirty years in prison - not by mistake but deliberately - through the manipulation of a judicial case in Argentina. The film takes as its central point the way in which Fernando Carrera's case was fabricated: the manipulation and alteration of evidence at the scene of the crime; the manipulation of all national media by Rubén Maugeri, key witness to the events and president of the Association of Friends of Commissary 34. On the other hand, it shows how Fernando Carrera leads his daily life in prison.

The new Longueuil police chief, Fady Dagher, is aware of the challenges he faces. Well positioned for the next five years, he intends to make great changes within this institution. This documentary is an intimate portrait of a man, a vision and an environment into which cameras do not often have access.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

Grandchild fraudsters scare their victims on the phone with so-called "shock calls". The losses run into millions. Month after month. Many victims are left severely traumatized. But the scam has a weak point. And the izzy team has found it. During a year-long investigation, izzy figurehead Cedric Schild pretends to be an elderly person and supposed victim on the phone. This not only makes for a few laughs, but also drives the perpetrators crazy - at the same time, the editorial team penetrates deep into the structures of the criminal clans. Thanks to more than 1200 minutes of recorded conversations from real shock calls, the izzy film "Die Enkeltrick Betrüger" shows all the tricks used by fraudsters for the first time and thus makes an important contribution to prevention. In cooperation with the law enforcement authorities, the perpetrators are arrested in front of the cameras.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

An epidemic of ritual abuse of children from infants to teenagers is sweeping through the country. According to recent TV and radio broadcasts 2 million children a year are reported missing, many too young to be runaways and 5 thousand unidentifiable bodies of children are found each year in the US alone. "Devil Worship: The Rise of Satanism" takes you behind the scenes into actual black witchcraft and satanic rituals. Former Satanists, practicing witches and law enforcement experts explain the vastness and diversity of the movement. Experts tell why people join and how Satanists recruit their members as well as their victims. Parents are given clues to determine if their children are involved. Most importantly, dangerous doorways into the occult are exposed.

“Use Your Eyes” is a police training film produced by the Alhambra Police Department, California, in 1970. It is intended to demonstrate to police officers how to search a residence for evidence of marijuana use, and what rights they have to search the property once certain prima facia evidence is established.

The Miami-Dade Community Mental Health Project comes to life in this documentary, following a team of dedicated public servants working through the courts to steer people with mental illness on a path from incarceration to recovery.

The documentary is an immersive chronicle of the insurrection at the U.S. Capitol on January 6, 2021, when thousands of American citizens from across the country gathered in Washington D.C. to protest the results of the 2020 presidential election, many with the intent of disrupting the certification of Joe Biden's presidency.

American Experience looks at the 1968 Democratic National Convention in Chicago where Vice President Hubert Humphrey won his party's nomination for president amid massive civil unrest and violence perpetrated by Chicago Police and anti-Vietnam War protesters.

何以为家

In 1989, five black and Latino teenagers from Harlem were arrested and later convicted of raping a white woman in New York City's Central Park. They spent between 6 and 13 years in prison before a serial rapist confessed that he alone had committed the crime, leading to their convictions being overturned. Set against a backdrop of a decaying city beset by violence and racial tension, this is the story of that horrific crime, the rush to judgment by the police, a media clamoring for sensational stories and an outraged public, and the five lives upended by this miscarriage of justice.

The film delves into an almost forgotten event that took place in Kfar Qasim in October 1956, when 47 innocent civilians were shot and killed by Israeli Border Police soldiers. Through a gripping narrative structure, like a suspenseful legal drama, the film unfolds the historical, political, and psychological reality that shaped and triggered the event. A cinematic montage created by the intertwined plotlines, emphasizes immense gaps, conflicting narratives, and deep divides between Jews and Arabs who are destined to live together on the same land. If we begin to recognize these gaps, will there be hope for reconciliation?