Ted Stevens and Richard Nixon in D.C.

Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.

Clouds forming and moving through the summer sky.

Sunlight in a winter forest.

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Morning dew in summer fields and meadows.

A golden sunrise brings light to the foggy hills and meadows of late summer.

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

A study of the seashore in mid-coast Maine.

Fulano de Tal

Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.

A close look at flowers and pollinators on a sunny summer morning.

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

A short film featuring a pebble beach and coastal salt marsh in Maine.

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

Wildlife in an early spring wetland.

For twenty years, three filmmakers in resistance exchange a series of documentary and fictional telegrams from different parts of the world, in the midst of a war of colonization waged by the Western powers.

As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.

In the ruins of the Disibodenberg monastery, the voice of Hildegard von Bingen sneakes through the walls. As the day goes by, the space empties of people, and with the arrival of the night, a vision emerges.