Ted Stevens and Richard Nixon in D.C.

A golden sunrise brings light to the foggy hills and meadows of late summer.

A study of the seashore in mid-coast Maine.

Wildlife in an early spring wetland.

Sunlight in a winter forest.

A close look at flowers and pollinators on a sunny summer morning.

Clouds forming and moving through the summer sky.

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

Morning dew in summer fields and meadows.

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

A short film featuring a pebble beach and coastal salt marsh in Maine.

As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.

Fulano de Tal

Mountain wildflowers in a dense fog.

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

Produced by Jack McGaw and co-produced by The National Research Council, the Ontario Ministry of Transportation of Communications, and Toronto/Ontario Provincial Police, they demonstrate dangers of driving under the influence of alcohol and drugs with participating young drivers alongside field experts and researchers to aid in their experiments.

"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.