Happy (M)others Day!

Living alone as a caretaker to her ailing but overbearing dad, a demure and loving daughter unravels the secrets of her estranged mom as her dad’s grip on her life tightens.

Dvojčata

Chytrost má děravé šaty

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.

The horse Karino is born during winter and when his mother dies, a young woman starts to care for the helpless foal. Their adventures together are followed during the years to come, from the age of a newborn to the time when Karino's a full-grown competition horse.

Tomás, an 11-year-old boy living in his own fantasy world, must use his vast monster knowledge to fight against his new English teacher: a wicked woman who is, in fact, a child-eating monster.

Ale left her mother's house at the age of 12 because she felt she did not belong then, now at the age of 20 she lives in constant resilience. Realizing that she is repeating her mother's patterns, she embarks on a reflection of the decision-making power she now has.

Melati lives with her stepmother and half-sister, Kecubung. Even though she always received bad treatment, Melati never stopped praying. One time, the clothes she was washing floated away. Melati searched by going with the flow. Not long after, she arrived at a old woman's house in the middle of the forest. It turns out the cloth was found by the old woman. When she asked for fruit in the old woman yard as she was very hungry, she instead got diamonds in the fruit she picked.

Upon being sent to live with relatives in the countryside due to an illness, an emotionally distant adolescent girl becomes obsessed with an abandoned mansion and infatuated with a girl who lives there - a girl who may or may not be real.

An earthquake stirs up yet another adventure for the Oz Kids. What begins as an innocent bus trip for Frank (the Wizard's son) turns into a wild underground ride for all the kids as they encounter dragonettes, merry-go-round mountains, an enormous teddy bear and more!

Santa Claus has been kidnapped, with Christmas just weeks away! The usually timid Boris (the Cowardly Lion's son) teams with an elf named Wisk to find St. Nick. Now the Oz Kids have to rescue Santa and Boris!

A determined Angela makes a wish to reunite her family in time for Christmas, then launches a plan to find her way from Ireland to Australia.

Šahrazád

Children from diverse religious and cultural backgrounds offer candid views on God, miracles, prayer, angels and faith.

La Famille et le potager

Guided by a map, four children decide to embark on a fascinating adventure to find a magical treasure. While their parents search for them, the children find the meaning and magic of the nature they promise to protect and care.

Teenage outsider Adam sets out on an epic and daring quest to uncover the mystery behind his long-lost dad, only to find out that he is none other than the legendary Bigfoot! He has been hiding deep in the forest for years to protect himself and his family from HairCo., a giant corporation eager to run scientific experiments with his special DNA. As father and son start making up for lost time after the boy's initial disbelief, Adam soon discovers that he too is gifted with superpowers beyond his imagination. But little do they know, HairCo. is on their tail as Adam's traces have led them to Bigfoot!

A french fantasy film with Christoph Waltz

The coming of age story of Shéár Avory, a 17 year old trans* aspiring social justice advocate in Los Angeles who navigates housing instability and familial dependency on their journey to adulthood. Shéár depends closely on their mother for continued access to their medical transition, though struggling in her recovery from addiction, she is unable to always offer Shéár the support they need. An observational piece, the film aims to ask, what does coming into adulthood actually look like, for a young Black trans* femme in today’s America?

Akio Kanzaki’s job as head of human resources is wearing his nerves thinner and thinner. To make matters worse, he’s on the brink of divorce with his wife, and his relationship with his college-student daughter isn’t exactly smooth sailing. One day, he decides to drop in to Tokyo’s old-timey district to visit his mother Fukue. However, things seem a little off. His mother used to be always working with an apron on, but now she’s covered in stylish clothes, looking livelier than ever, and even in love! Akio becomes perplexed, feeling out of place in his own mother’s home, but after encountering kind, warm—and almost nosey—neighbors and a side of his mother he’d never seen before, Akio gradually starts to discover something he had lost sight of.