Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.
An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.
A group of young UN soldiers in Lebanon enters service with pro-Israeli views and a naive outlook on war. They go through a radical change of heart as they witness and film the Qana massacre. They secure video evidence indicating that Israel deliberately bombed a UN camp killing 106 refugees.
On the morning of the October 7 attack, Rachel and David Edri were held hostage in their home in Ofakim by a terrorist squad. For 20 hours the couple survived alone with the terrorists until they were rescued by the security forces. During the hours, Rachel offered the terrorists food and drinks, talked with them and took care of one of the wounded.
In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel's intelligence and security agency — speak about their role in Israel's decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means.
To examine the deteriorating relations between Palestine and Israel following the Hamas attack on October 7, the director walks into the heart of Jerusalem, a city that has been a holy site for Judaism, Islam, and Christianity for centuries, where tension and hatred have become a daily reality. Even though Jews and Muslims live in the same building, they do not communicate with each other and occasionally attack one another. However, the residents, from their respective positions and perspectives, ponder solutions for coexistence and peace between Muslims and Jews.
October 7, 2023: Hamas terrorists attack Israel, murder and take hostages. Israel reacts with severity. The goal: the destruction of Hamas. But with the war in Gaza, Israel is awakening the great trauma of the Palestinians: the expulsion of 1948. How can the lack of empathy on both sides be explained?
A horrible six year conflict befell Syria with a multitude of factions fighting for territories backed by a score of foreign players. The script for war as with Iraq in 2003 originated with Zionist partisans with Israeli interests in mind. From Oded Yinon to the Israeli "Clean Break" papers, the Zionist regime made it very clear what their intentions were in Iraq and Syria. American mass media had a uniform message that "Assad must go" for years until the Trump administration took power. In Iraq, after the US made it clear that they did not back Kurdish secession and would not give them air support, the Iraqi forces chased out the Peshmerga in a mere 36hrs. The world must know that the US was dragged into these conflicts via Israeli pressure and deceptions.
Unpublished testimonies from freed hostages, survivors, and members of first responders regarding the attacks perpetrated on Israeli territory on October 7, 2023, by the terrorist gang Hamas reveal the repugnant extent of the crimes committed by the so-called Palestinian freedom fighters.
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.
Na'ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She's introduced to a world of drugs, lesbians and sex. She's thrilled. Her life, at last, becomes exciting. Is it going to last? "Barash" is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.
Filmed in his home in Paris one late summer, the philosopher and political figure Antonio Negri takes as a starting point a short story — a parable written by Marine Hugonnier — and transforms it into a political hypothesis. It is the story of a community of children who live in roofless houses in a world where two suns shine permanently. When an eclipse is about to take place, the children get scared. They are terrified as they do not know the darkness, they’ve never seen the stars. To cope with their fear, they decide to burn their houses to generate light. From there Antonio Negri weaves anecdotes, evokes Alexis de Tocqueville and Saint Francis of Assisi, protests against biopolitics and formalises arguments which reveal his unconditional engagement for activism, absolute democracy, the need to recreate communities, and his restless quest to find joy in the heart of “the multitude”.
A legendary Polish driver returns to take part in one of the most difficult car races in the world. Will Sobiesław Zasada win the next car race at 91?
Shot in Claude Monet’s Garden in Giverny (France) this film is a search for its cusp — a possible point of passage, set at the limit of the scope of representation and at the beginning of the animal and the vegetal realms. The film shows the microscopic ecosystem that constitutes Monet’s “pictorial Garden”. It is an attempt to capture it from a non-perspectival point of view. Shot as a single sequence running the duration of a 400-foot reel, it features views of the edges of water-lily’s leaves and of Monet’s iconic green bridge, until the lens of the camera is intentionally removed to place the analogue film directly in contact with the environment, recording its presence with no interface. The abstract image resulting from this process captures the shimmering lights and movements of all beings during this quiet summer night.
Full moon above the city of Paris. A young man crosses the city neighborhoods on his bike, when elsewhere a group of distinguished young people that seem to come from another planet, stroll, smoke and chat.
Divadlo Svoboda
A high school editor loses all the footage of a film. As deadlines close in, the crew spirals into chaos. This is a film about making a film and learning the cost of finishing a movie.