AlieNATION

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Cinema Fouad is a documentary portrait of Khaled El Kurdi, a Syrian trans woman living in Beirut, where she earns a living as a domestic worker and belly dancer. Soueid shows us scenes of El Kurdi’s domestic world: eating, applying make-up, dancing in her bedroom, all while reflecting on her life and experiences. She expresses her desire to undergo gender reassignment surgery, and mourns the death of her lover, a Palestinian freedom fighter. She often alludes to the aggressions she faces outside of her home, and through her adept defiance in the face of some of Soueid’s more goading questions, we recognize the echoing of these aggressions in his role as interviewer.

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?

A documentary that is a deep exploration of gender identity within the context of Greek society, providing a multi-layered narrative that reflects the experiences of individuals navigating the complexities of gender in a culture where these topics are still emerging. Over four years, the filmmakers captured intimate stories of people confronting their gender identities, revealing how personal, societal, and familial expectations shape their journeys. The documentary aims to challenge the traditional norms of gender and to give voice to those whose experiences are often marginalized. It marks a significant step in Greece’s cinematic exploration of LGBTQ+ themes and is a pivotal contribution to the global conversation on gender identity.

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

Brianna: A Mother's Story - Esther Ghey tells the powerful and emotional true story of her daughter Brianna, a sixteen year old trans girl who was groomed by a murder obsessed classmate.

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"

The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

AmbulaTório

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.

A trans paranormal investigator and their team search for the connection between the queer and the strange as they explore the mysterious and magical world of the rural south.

Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.