29 Palms

15-year-old Johan helps his 9-year-old brother, Oscar, to build a space rocket to go visit their dad. Johan has made up a story for Oscar, as to why their dad is no longer with them. But on the day that Oscar celebrates his 10th birthday, this lie turns into something unexpected. Will Johan tell Oscar the truth?

Viorel is 12 years old boy and he lives with his grandfather near the Danube river. He helps his grandfather to fix the figurines of an old merry-go-round. Mirko is the son of the local police officer on the Serbian shore of the Danube. The two kids have a remote controlled small boat which they use to send each other various objects. When Viorel finds a gun in his grandfather's attic their lives will change.

Lost for Words

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

On a planet far away, a primeval creature gets banished by the chief of its tribe. Exiled and with the burden of a disgraced honour, it sets foot into the unknown land beyond its home, where it finds an intriguing alien concept to take vengeance.

Late Bloomer is the pastoral romance of an eternal recurrence. Director's talent to plea for love without any dialogue would touch the hearts of audiences. The old man's day out which at first seemed like the ordinary visit of his family's graves turns out to be the poem about the everlasting love. Actor Yoo Soon-cheol wrote this poem with his old and stoop-shouldered body.

A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.

A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

Marta (Lucie Patikova) was blinded in an accident brought on by her careless and indulgent younger sister. Now in a school for the blind, Marta keeps up her hope that she will one day see again, mainly because her mother - out of good intentions - has led her to believe that the blindness is only temporary. Before long, Marta comes to realize that her condition will last until she dies, and she begins to despair, hating her mother for giving her false hope. Only a dedicated psychologist, Dr. Mos (Oldrich Navratil) seems to have the means of retrieving Marta from her depression.

After aborting his last assignment for moral reasons, a contract killer is given a second chance to prove his loyalty. But when he learns his mark is his girlfriend's husband, he finds himself battling the ultimate moral dilemma. With only 72 hours to fulfill the contract, he must find a way to save the innocent, and himself... but not everyone is as innocent as they seem.

Two boys, one girl, one night in the Northeast of Brazil. A morning of passion and secrets revealed.

Following the life of anorexic teen Tom Miller, a boy who wishes to be thinner.

Teenage swimmer Olivia's main goal is to enter and win the Brazilian National Swimming Championship: an already-difficult task, made harder by her struggle with anorexia and the daily pressures of family and friends. However, her friend Ana seems to approve of her idea of persisting in illness.

Jamie is a young man who suffers from both anorexia and bulimia. His memories of being teased for being over-weight coupled with people's treatment of his sudden weight loss lead him to question his decisions for the first time. We are allowed into his reality and given insight into his perspective as he holds everyone at a distance while he examines the details of his disillusioned world. And this allows him to see just how paper thin the reality he has been living in truly is. "Full" is not about overcoming an eating disorder; it is about understanding an eating disorder, and how a young man comes to understand it.

Reece tries to find the courage to come out to his family and friends.

Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.

Chloe, a straight talking film director, tries to convince her friend Sam to be an actor in her next short film. Just after finding out that he once again didn’t get into medical school, Sam meets Alex, a hypochondriac 18 year old. A love triangle forms in these self-reflexive, humoristic fragments filled with sex talk , set in New Orleans.

In a bleak Inverness midwinter, Luisaidh is careening off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.

An enigmatic, existential enforcer for a small-time local crime boss does not suffer fools gladly. Unfulfilled and compromised by his life and the pointlessness that surround him, he detaches -- and methodically explores life's transitory nature in a surprising way. ICE is not a brooding film -- with flashes of humor and quirkiness -- it is a film about hope.