Das Wunder von Nairobi - Noten der Hoffnung

A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.

Lions, leopard, cheetah, hyena, wild dog and crocodile - extraordinary scenes of super predators hunting. The Super Predators was filmed over three years at Londolozi Game Reserve in South Africa and on Kenya's Masai Mara. It captures some of the most extraordinary scenes ever seen on film of these super predators hunting and killing. Dramatic slow-motion action replays allow the viewer the opportunity of observing all the subtleties of these magnificent hunters in action. The film includes a plea for the world's most notorious predator, man, to work in closer partnership with nature for our mutual benefit and survival.

This 1944 black and white silent film provides brief glimpses of the lifestyle among Kenya's white/European settlers during the Second World War.

The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.

A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.

This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.

Documented in television documentaries for over 40 years by the BBC and other broadcasters around the world, the Marsh Pride is the most filmed pride of lions on Earth. In this film, the Marsh Pride battle for survival in Kenya's famous Maasai Mara Reserve, which has become a magnet for tourists, many of them keen to see the pride for themselves. A tale of shifting loyalties, bloody takeovers and sheer resilience, the lions’ story is told by those who filmed them, tried to protect them and lived alongside them, as well as some who ultimately wanted them dead.

A short film documenting the time the filmmaker spent in Kenya.

For African athletes making money abroad is the big goal. But Kenyan marathon runners need to be careful – the industry is ruthless and only few make it. For years, sports managers have been bringing African athletes to Europe to run in marathons with promises of potential prize money and a top career. For many it’s a means of escaping poverty. But what price do the marathon runners themselves pay? Long-distance running is among the toughest disciplines in the world. Professional marathon runners battle over seconds in a race more than 40km long - seconds that are often worth huge sums of money. Running has become a business. The prize money for a major event can be in five figures. Participants have to be world-class athletes to win these amounts.

In the Indian Ocean, off the coast of Kenya, there is an island. On this island there is a stone town; its stone buildings stand as skeletons of the splendor of its yesteryears. High tide, low tide, Full moon, new moon. Lamu is an island frozen in time. Now Africa’s largest port is being constructed. In order to evolve, what part of ourselves do we keep and what part do we leave behind?

The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.

A daily life in Korogocho, Kenya, one of the world’s poorest slums.

Honey at the Top is a film about the Sengwer forest people of the Cherangani Hills, Kenya, being evicted from their ancestral land in the name of conservation. The film centres around father of two Elias as he works with his community to try and hold onto their culture and resist the evictions. It is an intimate portrait of this community at a crossroads, facing international pressure from organisations like the World Bank, a corrupt Kenya Forest Service who are burning their houses and attempts to turn the forest into a commodity through carbon offsetting schemes.

A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.

Drawing inspiration from their unique relationship, Virginie Francoeur explores the journey, work, and imagination of her father Lucien, an atypical creator, an uncategorizable provocateur, and offbeat Dad, worn out by a life of excess.

When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.