Damien, a young filmmaker, faces reality when his mother scorns his new film. Wounded, he embarks on a new project with his friend Manuel, determined to win his mother's approval. But the pressure of the shoot will put his art, his patience, and the friendship he values most to the test.
This film tells the story of rap music in Almada and Miratejo, one of the first major spots of this musical genre in Portugal. Guided by the protagonists who built and lived the movement intensively, we travel through their memories, stories, and inspirations to discover the great landmarks of this culture on the south banks of the Tagus River — built in a territory of demanding and politized working classes, with great cultural diversity in the post-Carnation Revolution.
Zukas
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
Between rhymes, beats, and archival footage, three “MCs” talk about their experiences in the rap battles that take place in downtown São Paulo (Brazil) and reflect on the role of these artistic encounters as a form of expression, entertainment and representation.
In February, Just Jam's event at The Barbican was cancelled at the last minute. It was an event that seemed to be yet another victim of the London authorities now notorious risk assessment procedure, Form 696.
Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.
Many people who have attended a Rich Mullins concert can tell you that the most impactful parts are his "stories" that he tells between his songs. This collection of 12 of those stories was recorded in February of 1993, and released on the "Here in America" Bonus DVD.
Global K-pop sensation TWICE took the Amazon Music Live stage on November 21st. Fans tuned in to witness the group's high-energy performance, packed with their chart-topping singles and fan-favorite tracks.
Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).
Originally performed in the unprecedented circumstances of 2020, Live At A Drive-In shows a band at the height of their potent creative vision and technical prowess. Under the summer stars, in a field surrounded by parked cars tuned into the broadcast dial, July Talk brought people together (but not too close!) at a time when impactful live music experiences were nearly impossible.
A short, low-budget documentary that follows a small jobbing band from the north of England called 'Hardwicke Circus' as they perform a gig and music workshop at 'Standford Hill HMP', a men's prison on the Isle of Sheppey in the south of England. Shot in Ben Archer's fly-on-the-wall 'gonzo' style of filmmaking and taken from the band's late-2019 tour of England's south coast, this documentary focuses on the joy of performance and music in an environment that does not often allow such expression. Bookended by short commentary from the band's lead singer Jonny Foster, 'Hardwicke Circus: The Prison Gig' is an uplifting ode to the power and necessity of art, even for those that society have deemed not to deserve it.
Alex Jaffray, music columnist for Télématin, shares his passion for music, which allowed him, as a child, to communicate with notes rather than words. He is a sampler packed with music and jokes that allow him to travel from prehistory to Gilbert Montagné, from Daft Punk to Booba, via the Eagles, Ennio Morricone, and Maître Gims. Recorded on June 26, 2025, at the Théâtre des Sources in Saint-Amand-les-Eaux, in the Hauts-de-France region.
BoA's THE LIVE 2018 tour ~Unchained~, which was her first national tour in three and a half years.
BoA's Live X'mas concert that was performed on 12/2/2010 at Tokyo International Forum.
Jools Holland takes a personal look at the historical influences that have helped to create the sound of London. His journey takes him back to Roman times, and then forward through history until the present day, taking in well-known landmarks, pubs, music halls and more recent venues such as the 100 Club. Archive film footage is interspersed with contributions from performers such as Roy Hudd (comedian and music hall expert), Lucy Skeaping (of The City Waites ensemble), Eliza Carthy (folk musician), Sterling Betancourt (steelpan pioneer), Danny Baker (DJ and presenter), Ray Davies (of The Kinks rock band), Paul Jones (of the Manfred Mann pop group), Joe Brown (rock and roll singer), Suggs (of the Madness ska band), and Lisa Hannigan (Irish indie folk singer).
Master Of Chords
BoA's first Christmas Concert in 7 years that was performed on 12/10/2018.
WHO CAN SEE FOREVER is part concert film, part music documentary and part meditative examination of one of independent music’s most prolific singer-songwriters, Iron & Wine’s Sam Beam.
After the heroic rescue of Toki Wartooth, DETHKLOK frontman Nathan Explosion finds himself traumatized in a BRUTAL professional and romantic flat-spin all while he is tasked with fulfilling the prophecy and confronting the ultimate songwriting challenge: write the SONG OF SALVATION and save the planet. Can Nathan Explosion look beyond his brutally damaged ego to save his band, stop the Metalocalypse, and finally face the ultimate evil: Salacia?