Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.
In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor.
Rajashekhar earns the enmity of his business partners when he opposes their illegal plans. Circumstances force him to run from the police and he is separated from his wife in the process.
Monica was born into the darkness of abuse and forged in trauma. Once triggered, Monica embarks on a journey using her manipulative personality - filled with mistrust, fear, and a desire to be loved, to seek a mother figure who will love her unconditionally or die trying. Who says love doesn’t cost a thing?
The unexpected meeting of two ex-lovers after a long time affect the equation of their respective families
A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.
The story about a teenage boy, Antonio, whose emerging gay sexuality alienates him from his friends and family, until his libertine uncle, Jonbert, comes to live with him and his mother.
‘U-Turn’ follows the story of a reporter; Raveena who gets unvoluntary involved in a murder case conducted by the police as she investigates accidents on a flyover.
Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.
A mother and grown son address (or don't address) a sexual identity revelation.
Elisa and Mathieu are siblings at their early 20s. She has incestuous desires for her brother who has a girlfriend, but he refuses her. She struggles with her forbidden desire and plays a trick on him.
Two brothers, Harry and Max, who are both teen idols, come to terms with their dysfunctional family past and deep affection for each other
Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.
In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web. Shot in a continuous take.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
Noé comes into sixth grade at the same time he discovers a new city and a new house where he has just moved with his father, Marc. Coached by him, Noé takes intensive training of combat sport. And Mark does not hesitate to put him in a situation of attack. They are in danger, he must be prepared to respond to any aggression. While keeping the secret of his "double" life, Noé has to learn how to find a place in his new college. He becomes friend with Marine, a young girl full of energy. Noé discovers a world whose vision was shaped by his father so far. A father so near and yet so mysterious. Between them there is a history of complicity and confrontation.
A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
Captain Taher protects the people of the port against Jaber and his gang. His parallel wife is not satisfied with his deeds. After his young niece Darya comes to visit him and his wife, she seduces Captain, to begin falling in love with her. Darya is caught between the incestuous affair of her Uncle and a young deckhand, the brother of Captain's business partner ...
A young woman is torn between the love of her life and her second passion, fashion. In the first part, we get to know Isabelle, who grows up in the Trakenbergs' house, a highly respected fashion entrepreneur. She has known Jon, the love of her life, since childhood...