Sur les traces de Madeleine Pelletier

"For Sale! Including 500 violent stone throwers from Hell", was the message from the controversial squat 'Ungdomshuset' in Copenhagen, Denmark. The film takes a balanced look behind the barricades and follows the definitive last year in the life of the squatters before all was demolished in March 2007 and riots broke out in Copenhagen.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Documentary series which uses film and eyewitness accounts from both sides of the conflict that divided Spain in the years leading up to World War Two, also placing it in its international context.

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

Cartas do Kuluene

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

The birth of the radical environmental movement is captured in this short, poetic film on the legendary direct action at Glen Canyon Dam in March of 1981. The film contains one of the only interviews ever given by the late, great author Edward Abbey along with his classic speech from the back of a pick-up truck.

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

This timely, bold set of one-on-one interviews presents two of the most venerable figures from the American Left—renowned historian Howard Zinn and linguist and philosopher Noam Chomsky—each reflecting upon his own life and political beliefs. At the age of 88, Howard Zinn reflects upon the Civil Rights and anti–Vietnam War movements, political empires, history, art, activism, and his political stance. Setting forth his personal views, Noam Chomsky explains the evolution of his libertarian socialist ideals, his vision for a future postcapitalist society, the Enlightenment, the state and empire, and the future of the planet.

Stories of maniac sailors, anarchist castaways, and the voyage of the S/V Pestilence: a video zine three friends and I made about finding a derelict sailboat, fixing it up, and sailing from Florida to Haiti.

A film narrated by a prison interview with long-jailed black radical Ojore Lutalo. Ojore touches on many issues, from what prisons are, to why he is in prison to the nature of the black radical struggle. Ojore was released in 2009, only to be rearrested a few months later as the alleged "Amtrak Terrorist" in Colorado. All charges were dropped after no one was able to provide any evidence of wrongdoing.

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

Que Esse Grito Não Seja em Vão!

We follow the build-up and training of two opposite Belgian political parties. We see their leaders during meetings, during voting and after when the results of the elections are published.

It’s a model story, an extraordinary adventure, a tale of revolutionary practice and tension, among anarchy and irony, simplicity, curiosity and vitality throughout the whole of Europe, its wars and the social struggles of the 1900s. A tale on how to live all in one breath, responsibly, diving into contradictions, "getting one's hands dirty", and still keeping one's balance between theory and practice.˝

The true story of Austria's Empress Elisabeth, whose assassination by an Italian anarchist in 1898 shocked the world and triggered historic unrest.

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

For decades, the name of the Valencian anarchist César Orquín Serra responded to that of one of the 7,251 Spanish republicans deported to the Nazi concentration camp of Mauthausen-Gusen between 1940 and 1945, although the controversy surrounding his role as Chief of Kommando pursued him with the survivors, divided between those who highlighted his actions to help the survival of his men and those who accused him of collaborating with the SS.