Universes

An abstract exploration of memory and loss.

A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.

An experimental horror film told entirely from above the bathroom sink.

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

A dreamlike depiction of fleeting aspirations.

A depiction of the varying passage of time.

A teenager contemplates his relationship with God and others as his days are filled with loneliness.

An exploration of personal questions of death and religion through the acting of Adler Rux and Hannah Lavender. This film is also supported by the music of Agile Gibbon, with their song "Hot Air Balloon" and a score provided by Elijah Healy, Adler Rux, and James Fincher.

A pathetic love letter.

A poem in tap.

A photographer explores a city, contemplating the ethics of her medium.

Seven colors are assigned to eat the food of their own color. They don't question it, until one of them wants to take a different path.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

AMPM is a dystopian and experimental film in which analog TVs, through sound and imagery waves, have the power to transfer the user to an alternative reality based on their unconscious.

Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.

P.A.K. is an intensely personal document expressing the alienation, pain, and trauma of a prison experience. Using techniques of German expressionism, it examines the social and institutional forces that inform one's subjective self-definition. Stark contrasts, are combined with harsh prison reality with escape into the fantasy, beauty, and grace of classical ballet. The conflict is underscored by elements of the sound track: reverberating prison noises, the uncompromising music of punk rock and voice-over readings from the poetic works of notable writers and political prisoners Oscar Wilde and Breyton Bretonbach.

Nura is determined to live her life to the full, despite a future without her eyesight.

During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.

"The Holy Spirit will come upon you,and the power of the Most High will overshadow you;” (Lc 1:35) The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.