The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.
Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.
The movie will chart Cole’s journey as musician and quiet revolutionary, navigating racial injustice, Hollywood sabotage and self doubt to ensure his legacy and help pave the way for future generations of artists and Black men and women.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.
MERA YAAR" Film based On a play in Punjabi by Dr. S.N.Sewak. It deals with an important phase of the struggle for the independence of India from the colonial British rulers in the early years of the twentieth century. It depicts the role of Kartar Singh Sarabha, a young revolutionary, who had gone to the USA for higher studies, as seen through the eyes of another revolutionary of later years, Bhagat Singh, for whom he was a role model. Interestingly, Bhagat Singh kept the photograph of Kartar Singh Sarabha in his pocket because he always sought inspiration from him. Thus, Bhagat Singh is the narrator in the play which follows 'ode and episode' technique.
This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting "their" war... Silent for 30 years, the "Jeanson network" now bears witness to this history.
This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.
'Reformed Colonel' Raoul Duplan is found dead in Paris, a couple of decades after Algeria's struggle for independence was won from France. Assigned to investigate, Lieutenant Galois receives the diary of Lieutenent Guy Rossi, who served under Duplan in Algeria in 1956, and has been reported as MIA since 1957. The revelations in Rossi's diary far surpass Duplan's actions in Algeria, and give insight on how dirty Algeria's War for Independence really was.
In Tokugawa-era (1637) Shimabara, oppressed peasant Christians revolt against the shogunate with the aid of charismatic Christian rebel leader Shiro Amakusa.
Documentary series in two parts: 1. A people without a voice (80'), 2. A land in mourning (78'). Part 1: A people without a voice: October 88, the Algerian Republic is faltering, the film goes back to the sources of this tragedy and explains how the face to face between the Islamists and those in power began. The interruption of the legislative elections of December 91, followed shortly after the assassination of President Boudiaf in June 92, plunged Algeria into chaos. Part 2: A land in mourning: the cycle of violence that leads to massacres and the economic and geopolitical underside of the war. More than 100,000 deaths, an incredible degree of barbarity, massacres, apparently incomprehensible... Behind the official window of power and its artificial political scene, hides a shadow power.
"Algeria, The Two Soldiers" tells the true story of two young French soldiers during the Algerian War, who were driven in two completely opposite directions by the same keen sense of honor: Noël Favrelière deserted to free a young Algerian Muslim prisoner who was going to be executed, and René Técourt, to continue the fight for French Algeria alongside the OAS ultras. Two emblematic examples, which describe in a direct, carnal way, what happened there.
In Algiers, in June 1957, Maurice Audin, a 25-year-old mathematician, was arrested by French paratroopers. His wife, Josette, and their three children never saw him again. This documentary interweaves testimonies from French and Algerian protagonists: activists for Algerian independence, lawyers, historians, and military personnel. Drawing on the research of historian Pierre Vidal-Naquet, it blends archival footage, newspaper articles, books, drawings, and reenactments to reconstruct the context of this disappearance and denounce the torture and murder practiced in Algeria. Josette Audin is the central figure and the moral compass of this film.
Portrait of Si Mohand U M'hand, an Algerian Amazigh poet from the end of the last century, whose tragic destiny was marked by wandering and revolt. Refusing all compromise, he lived in insubordination to the new order imposed by the French colonial presence in Algeria.
1954, La fin d'un monde
In 1936, Gaston Revel entered the École Normale in Algiers, where he was supposed to learn how to "educate the native." It was also during this time that he began to take an interest in politics: he was drawn to the Popular Front, then to Spanish anarchism, and finally to communism. From 1940 to 1955, he taught in Algeria, first in rural areas, then in Bejaia. He returned to Europe because of the war and landed in Provence in September 1914, following the Allied advance. It was in Bejaia, in 1945, that he became fully committed to the Algerian Communist Party: in 1953, he ran for municipal office in the second electoral district (reserved for Algerians) and sat alongside the Muslims. In 1955, at the beginning of the war, he was forced to leave Algeria against his will. But, like thousands of other "red feet," he returned there in 1962 and resumed his teaching career. From all those years, he left a complete and deeply committed record, many letters, notebooks, and newspaper articles.
When the first railroads were built some two hundred years ago, they brought about a revolutionary change for mankind, linking cities and countryside, driving the industrial revolution and irrevocably changing the landscape: a history of the railroad from its beginnings to the present day.