Revolver

Social deprivation, mental illness, addiction, sexuality and drama abound when Jake abandons his wife and kids for Ethan, a young, gay, streetwise charmer. Jake struggles to hide his identity but things come to a climax impacting the hearts and souls of all involved.

Crépuscule d'Été

John is an eighteen-year-old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler who teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all levels of society, share with John their stories and secrets.

A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?

Having slept together for the first time, two teenage boys must make sense of their evolving relationship.

As kit tries listening to her girlfriend, she is plagued by visions of rabbit.

Thibaut, 40, raises his 7-year-old son, Gabriel, whom he adopted in Africa, alone. Faced with the crisis his son is going through, he decides to return with him to Senegal in search of the biological mother, Yawa, whom he once knew.

31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.

In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.

Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.

A short animation by Makoto Shinkai in Lightwave 3D. Inspired by Haruki Murakami's book "Hard-Boiled Wonderland and the End of the World" with music by Tenmon.

The man, the hill, the shack.

An unsettling portrait of a destructive three night affair between two men - one is gay, lost and adolescent, the other is married to a woman and middle-aged. Set in the heart of Soho, a fracturing queer landscape, Nightstand is a whirlwind of repressed yearnings and urban loneliness.

When a northeastern brazilian worker, Filismino, is forced to move to the big southeastern metropolis of São Paulo, the northeastern grim reaper is forced to go there and kill him.

Eight year old Paulie is happiest when dressing-up in his mother’s high heels and having tea parties in the garden. His father however would prefer him to be involved in more ‘manly’ pursuits and decides to take action. It is left to Mickey, a ferret with the cutest nose and the sharpest teeth, to sort out the men from the boys.

An ex-criminal is hired by the police to go undercover inside a drug cartel, but when he saves a little girl, he blows his cover.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

A girl is still dealing with the death of her father. In the midst of her relationship with a detached mother and her own struggle to find peace, she must confront an old wound she deeply buried.

Spain, March 1939. The war is dying down. At the Port of Alicante thousands of people are piling, waiting for the arrival of ships that will carry them to exile. Moored, the freighter Stanbrook is witnessing the desperation.