Daedalus

All My Homies Hate Skrillex

From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.

Road To Austin chronicles how Austin, Texas became the Live Music Capital of the World, dating from 1835 to present day. The film builds to a climax and weaves its way towards an all-star live performance led by Stephen Bruton and his 14-piece band.

A group of influencers in a famed Hollywood apartment building pursue their dreams of social media stardom. The residents of 1660 Vine confront questions of fame, influence, identity, and mental health. All the while, the residents update their followers through vlogs, gaming streams, makeup tutorials, TikTok dances, songs, and pranks, as they navigate their search for identity, discovering the difference between who they present themselves to be, and who they really are.

Celebrating twenty years since their debut, Hikaru Utada takes the stage at Makuhari Messe for the final performance of their Laughter in the Dark Tour.

Recorded during a series of concerts at The Hague in early May 1991, this show is from 10 May and served as a benefit gig for Kurd Aid. It isn't a full length performance of course, but still remains interesting. Several of the performances were released as live b-sides on 'Ten Summoner's Tales' era singles. Perhaps of most interest is the live version of Hendrix's 'Purple Haze', a rip-roaring crowd favourite from that tour.

A team of special agents discovers a revolutionary new computer program to bait and trap online predators. After teaming up with the program's troubled developer, they soon find that the AI is rapidly advancing beyond its original purpose.

Live @ Echoes with Jehnny Beth

Captured during The Tipping Point Tour Part 2 in 2023 and featuring hits including “Everybody Wants To Rule The World,” “Shout” and “Sowing The Seeds Of Love”, “Mad World”, “Head Over Heels”, etc. — along with new fan favorites from The Tipping Point —their first album in 17 years, this bucket list must for Tears for Fears fans was shot near Nashville at the FirstBank Amphitheater at Graystone Quarry in Franklin, TN – formerly a stone quarry that left no stone unturned in beauty, providing a stunning backdrop for this brilliant and unforgettable trip down memory lane, spanning Tears for Fears' entire career.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Adem lives a repetitive and monotonous life until he finds himself caught between reality and a virtual world. In this perplexing realm, he encounters an AI assistant that forces him to confront his past. As Adem interacts with the AI and unravels the mysteries surrounding him, he begins to question his own identity and the very nature of his existence. This journey into the unknown challenges everything he thought he knew and leads him on an unexpected path that will change his life forever.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Elton John entertains a celebrity studio audience, answering questions and singing songs with his guests.

In August of 1991, AC/DC headlined their third "Monsters Of Rock" festival at Castle Donington. One for the ages, the two hour set is loaded with classics and awesome visuals including firing cannons, the hells bell and a giant inflatable Rosie.

Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Copenhagen: Elements of Life World Tour is a DVD of Tiësto's Elements of Life World Tour November 10, 2007 performance at Parken Stadium in Copenhagen, Denmark. The DVD was released March 7, 2008. It was released on DVD and Blu-ray. Both double disc versions cover over four hours of Tiësto's concert in Denmark; the additional footage such as an On The Road feature, music videos, and TV commercials.

The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.

To celebrate the centenary of the birth of one of the greatest legends of French music and to mark the release of the film Monsieur Aznavour, this exceptional evening looks back at his most beautiful songs. The greatest artists on the French music scene pay tribute to the singer during this musical evening. Accompanied by a 22-piece orchestra, they take turns performing his greatest hits and sharing the love story that binds them to Charles Aznavour. From La Bohème to Emmenez-moi, via Hier encore and Je m'voyais déjà, each performance is a vibrant tribute to the man who left his mark on generations with his profound lyrics and unforgettable voice.