The Man Who Loved Flowers

Tells the story of Mr. Softee, a mutant hybrid with an ice cream cone for a head, who was the victim of the anti-miscarriage drug "Nodroppinum" which changed the pregnant mother's child into whatever food she craved at the time (a parody of the Thyladimide scandal from the 60s.) Softee was the head of an ice cream company, until he was forced out of business by the artificial ice cream mafia, led by Don Tofutti.

A man in financial debt is asked by his little son if the photographer of the famous picture which shows the Hindenburg zeppelin going up in flames early this century has become rich by that. The father quickly concludes that he only has to take the right picture in order to be able to pay his debts. After contacting a underground explosives engineer he takes off to the Munich Olympic Tower with his camera...

A doctor from provincial town in Tsardom of Russia meets his former student in Ward 6, where the story takes place. Impressed by his rebellious spirit and clever remarks, he tends to spend more time with him while also indulging in meditation, only to be ridiculed by his fellow colleagues. Based on a Chekhov's work of the same title.

A gay Australian man reflects on the immigration problems of his young Russian boyfriend.

A Harvard dandy circa 1946 lures his best friend away from the privileges of conformity.

A theoretical physicist discovers his life is in danger when he comes home to find two future versions of himself.

Australia, June 1727, a ship from the Dutch East India Company wrecked on the hostile coast. Pieter and Hendrick are friends like brothers - they grew up together, sailed together, survived together. But when Hendrick discovers the true nature of Pieter's heart, the two men are taken in a storm where friendship and faith collapse.

Agus is the new night security of the village administrative office. Rumor said the office is haunted by the elusive Tuyul.

Tony, Pol and Baby are three friends that get together to search a solution to their project for the future, at a standstill. They criticize constantly the system and the other people's precariousness, without realizing that they share the same feeling of poverty.

Gay high school couple - Ivan, a well-behaved local Taiwanese, and Eric, a rebellious international student from the US, take a road trip down the most dangerous highway in Taiwan. Their trip is cut short when Eric reveals that he must return home after graduation, forcing Ivan to confront his darkest demons.

After the death of his wife, a father finds out his son is gay and confronts him leading to devastating consequences.

An astrophysics professor leads a lecture about a black hole that absorbs everything around it. He doesn't know yet that he will also be enveloped by this black hole.

Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective

Peter takes his British friend Adam on a personal but political tour around Budapest. In an underground club, Adam makes a move at Peter — who now has to come clear with his own feelings.

On the eve of Easter, an icon depicting the Ethiopian Mother of God enters a Ukrainian village. After the icon is noticed by regular parishioners, a conflict begins between the young priest and his flock. Peasants do not agree to have a dark-skinned Mother of God in the church. One night someone makes his way to the church and cuts the icon. After the night events, the icon begins to pour myrrh.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Bradshaw, an Englishman, is arrested for the New York killing of booze racketeer Buck Cooly. Interrogated by police chief Galvin, Bradshaw claims self-defence, but refuses to name the woman he was with at the speakeasy where Cooly was shot, and who could provide the alibi that would exonerate him from a murder charge. Galvin's continued pursuit of the woman's identity eventually leads to an unwelcome surprise.

Hugo, 34, an educator at the boarding school, finds is daily life disrupted by Jules, a provocative teenager.

A woman talks about meeting an old classmate on the train.

A reclusive illustrator falls in love with a young woman who addictively shops for clothing.