Don't Let the Pigeon Drive the Bus!

This is the first Oswald cartoon to be directed by Walter Lantz who would later produce the Oswald shorts after George Winkler and Charles Mintz (the producers) were fired.

A pupil turns up to his new class for the first time. However, this pupil is different to the others, he's a frog in a class of rabbits.

Passage

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

A mother has to take care of her wild baby.

Primos is a story of binaries, leaded by fantastic apes. A tale of two visions of one place. Matter and spirit come together to transform the nature of these apes.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

WARNING This cartoon features ignorant racial stereotypes and is NOT meant for children or the sensitive.

Unique; one of the only Japanese cartoons that fully employs the physics of US animation (squash & stretch, follow-thru, weight variation, distortion). A silent print of what probably originated as a film with sound.

Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.

Noah battles to overcome his grief at the death of his mother, a journey that takes him from his flat to beyond the stars. An animation in stop-motion and oil paint.

A dead body became stuck by a river bank. Its decaying insides still hide a human soul - a miniature of the deceased. Rotting organs part and a tiny creature gets out. Standing on the river bank, it says goodbye to the corpse and sets off on a journey through the post-mortem land.

A traveler is confronted by spirits in an abandoned shrine; a story of honor and firefighting in ancient Japan; a white bear defends the royal family from a monstrous red demon; ragtag soldiers battle a robotic force in futuristic Japan.

On her 15th birthday, a young girl learns to navigate the complexities of budding adolescent romance with the guidance of her two best friends.

It's apple time, and all the strange little Fleischer bugs waste no time getting the apples to ferment so that they can immediately get drunk.

Willie Whooper, doused in reducing creme, shrinks to the size of a mouse and is chased by a cat throughout a house. Finally Willie returns to normal size and angrily covers the cat in reducing creme. The cat now shrinks to mouse size, and gets a black eye from the mouse he habitually torments.