A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Comic stories for adults about the problems of family life.
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
1907. Magnifica, young Costa Rican harpist, is preparing for her concert at the Royal Conservatory of Brussels where she studies with her fiancé. Inspired by the life of Pacifica Zelaya.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
Get ready for lots of musical fun in this first full-length movie based on the popular Nick Jr. TV series for preschoolers. Just as friendly cartoon pup Blue and her friends are ready for their big backyard music show, Tickety loses her voice... which means Blue needs a new singing partner! Where will she find one? Sit in your thinking chair, play along and see.
Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.
In this musical short, a love columnist can't find her own love connection.
Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
A remarkable homage to and parody of the “Camelot” song and dance from Monty Python’s Holy Grail motion picture. Essentially, the scene is totally redone with LEGO figures and blocks, but is true to the movie, which is why it is so hilarious.
A series of rare Max Fleischer sound cartoon shorts released by animation historian Jerry Beck. Fleischer was a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios. He brought such animated characters as Betty Boop, Koko the Clown, Popeye and Superman to the movie screen and was responsible for a number of technological innovations including the Rotoscope.
A failed singer tries to improve his show with a trick up his sleeve.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
The Allman Brothers Band were initially not happy with the first two releases, but they were able to fix the production mistakes only 40 years later. On April 29, a DVD will go on sale, followed by an audio recording of the famous concerts in New York 5 years ago. Then, on the Allman's favorite concert venue, the Beacon Theater, on March 26, 2009, they completely played the material of the debut (1969) and subsequent (1970) records, made under pressure from the producer in an undesirable sound for them. Now 15 tracks of the new DVD-CD-box are released in the form ... in which the public has known them for more than 40 years, but in the presentation of a completely different group (of the same name). 40: A very special number, and this DVD proves why the Allman Brothers Band is a special group indeed. Savor every note of every song, because chances are a band the likes of this one will not come our way again.
Nick Stuart and his band masquerade as an all-girl band as part of their plan of getting to play at a dance at a swanky girl's-only school. They get away with the masquerade and their playing is successful but they are discovered and have to hitch-hike their way back to the city in feminine attire.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.