Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
Josie and the Pussycats performance that switches through multiple styles of animation and music
When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
Music is everything. Tom listens to music to get by day to day, but what would happen if he had to suffer through his first world problems without his beloved earbuds?
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.
Animated interpretation of the Bizet opera, second in a trilogy.
Animated interpretation of the Bizet opera, first in a trilogy
This is a short film based on Taylor Swift's "mirrorball" from her Academy Award-winning album, 'Folklore'. Ben Stafford plays James, a celebrity who serves as a metaphor for a mirrorball; fame can be glamorous and incredible, but also terrifying and fragile.
A struggling young man secretly plays a magical trumpet that transports him from his desolate world into a colorful "bliss." When his younger brother discovers his secret, their relationship is put in jeopardy.
A metalhead gets passed down a satanic guitar that riffs to shreds.
Deloris Van Cartier is again asked to don the nun's habit to help a run-down Catholic school, presided over by Mother Superior. And if trying to reach out to a class full of uninterested students wasn't bad enough, the sisters discover that the school is due to be closed by the unscrupulous chief of a local authority.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Written 30 years earlier, Lou Reed’s hymn celebrates five flamboyant characters, each one a fragile icon from Andy Warhol’s Factory: Holly Woodlawn, Candy Darling, Joe Dalessandro, Joe Campbell (aka Sugar Plum Fairy) and Jackie Curtis. Over five delicate tableaux Stéphane Sednaoui films these young people proudly displaying their sexuality and creativity, each one dreaming of becoming a star on the New York scene.
A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
A retrospective of popular music from the 1890s and the turn of the century, with words for the audience to join in.
A car drives through the streets and tunnels of New York City. On board, four teenagers talk, play, and flirt. An innocent joyride amongst friends? Right away the viewer understands that this is not just simple fun as the drugs get in the way.
“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.
With the help of his Fairy Drag Mother, a young barista breaks out of the humdrum of his hipster coffee shop life to find the dress and the man of his dreams. Hopefully his nagging stepmother and savage stepsisters don't get in the way.