Dusk the Musical

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles – even if just for a moment – by dreaming up little numbers to the rhythmic beats of her surroundings.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

After receiving a breakup letter, Jérôme turns to his two best friends to find a solution to win back his girlfriend.

An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.

Lilly's life is perfect until she gets pregnant unexpectedly. Her boyfriend Christian panics making a disillusioned Lilly leave him. She finds comfort with her new neighbour Ulli König, but Christian finds his way back to her. In the meanwhile he developed fatherly feelings and tries to win Lilly back...

New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.

Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young players rehearsing for a WPA show at the Garrick Theater in New York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the stage doorman, offers to allow four of the men, Phil, Dandy, Jack and Ted, to use the theater for a boardinghouse. After accepting Mac's offer, the men improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the men learn she recently received a small inheritance, they allow her to audition, hoping she will back the show.

Two young men find themselves stuck alone together at a bus stop only to discover they have more in common than they expected

Andrew Owen has a date with the head cheerleader of his school, and his older brother, Lou, keeps interrupting. All is going well until the two brothers find out the real intention behind the ‘date.’

Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.

Two young men, Damien and Tom, are about to have sex before Tom puts an end to the encounter by confessing that he doesn't want to. To comfort him, Damien tells him about his failed first time.

When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.

Movie based on the 2007 TV anime with an original plot.

After his father is killed, Prince Valemon ascends the throne, only to be turned into a polar bear by a bitter witch who wants to be his queen.

VubiTV+ (An ExxonMobil Company), the first-ever Web3 Integrated streaming platform, is proud to present Alison Stevenson's debut televised-ish comedy special, 'Horny Bitch'. In this completely standard and totally by-the-book special with absolutely no latex, paddles, stimulated sex acts or human stools, Alison bares it all! From dating men who won’t commit to being a fat slut to blaming everything wrong in her life on antisemitism - join us in just barely meeting our diversity requirements and celebrating this female comedian!

“SOUTH PACIFIC” IN CONCERT FROM CARNEGIE HALL premiered on April 26, 2006 on PBS. Based on James Michener’s Pulitzer Prize-winning collection of short stories TALES OF THE SOUTH PACIFIC, Rodgers & Hammerstein’s own Pulitzer Prize-winning blockbuster was a landmark of post-World War II Broadway, a provocative romantic drama that beguiled audiences with a hit parade of instant standards. “South Pacific” reached new heights when, for one enchanted evening, Carnegie Hall presented a magnificent concert production with a dream cast headed by Reba McEntire, Brian Stokes Mitchell, Jason Danieley, Lillias White, and Alec Baldwin. Directed for the concert stage by Walter Bobbie, with musical director Paul Gemignani conducting the Orchestra of St. Luke’s.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Adrian, an irrepressibly chirpy tech nerd, has OCD. Grace, a beautiful street artist, has multiple personality disorder. It's a love story that seems impossible. But what if it works?

One night the girls of K3 find a mysterious storybook in their bedroom. When they read it, the face of a handsome prince appears. The prince is cursed by the evil Cat Queen and must kiss his true love before midnight. If not, he turns into... a cat. Fortunately, the prince has help from the fairy Fiorella, who helps him in his difficult quest. Fiorella picks up the K3 girls in her carriage and takes them to Fairytale Land, high above the clouds. Could one of the K3 girls be the true love of the handsome prince? Can they break the Cat Queen's curse before the clock strikes twelve?