Radio Unnameable

A biography of the Portuguese-born Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.

Janine Bazin and André Labarthe approached Chantal Akerman about making a film for the series; eagerly, Akerman proposed a number of filmmakers—but all had already been done. So she suggested…“How about me?” Akerman creates a fascinating self-portrait that takes us through her career, aided by critics Emmanuel Burdeau and Jean Narboni and filmmaker Luc Moullet.

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.

THE EDUCATION OF MOHAMMAD HUSSEIN is an intimate look at how the largest Muslim community in America responds to the provocations of an anti-Islamic preacher. Through the eyes of children, the film examines what it is like to come of age as a Muslim in the United States ten years post 9/11.

INOCENTE is a personal and vibrant coming of age story about a young artist's determination never to surrender to the bleakness of her surroundings. At 15, Inocente refuses to let her dream of becoming an artist be caged by being an undocumented immigrant forced to live homeless for the last nine years. Color is her personal revolution and its sweep on her canvases creates a world that looks nothing like her own dark past. INOCENTE is both a timeless story about the transformative power of art and a timely snapshot of the new face of homelessness in America: children. The challenges are staggering, but the hope in her story proves that the hand she has been dealt does not define her, her dreams do.

Every third Monday of the month, two bold, brassy sisters open the doors of their Long Island hair salon to women diagnosed with cancer. As locks of hair fall to the floor, women gossip, giggle, weep, face their fears, and discover unexpected beauty.

The acclaimed musician's rigorous touring year culminates in perpetual fever as he crosses the finish line on crutches from an onstage injury. Concert documentary features collaborators Martin Dosh, Annie Clark of St. Vincent, and others.

How is it possible to feel someone elses pain? The hero of this film is an autistic boy. His life is divided between an apartment with peeling walls on the outskirts of a large city, and a mental hospital. Anton comes into the frame when he is on the point of becoming a patient at a residential neuropsychiatric institution, a place where people with the sort of diagnosis that he has do not live long. The author, the camera, the hero. The distance between them shrinks with every passing minute, and the author has to enter the shot and become a character in the story. However, it is not a story about how one person helped another, but about how one person recognized herself in another. About how there is Another who lives in each of us and must be destroyed every day inside of us in order to survive.

For many, modern ballet began with the Ballet Russe of Monte Carlo, originally made up of Russian exiles from the Russian Revolution. This film tells the story of this landmark company with its stars and production as well as its power games, rivalries and tribulations that marked its turbulent history.

March 1989: two respected chemists from the University of Utah stand in front of a wall of reporters. Flashbulbs pop as they announce they have solved the world's energy problems using seawater, batteries and a mysterious glass contraption. 'Cold Fusion' is born. Within days, Stanley Pons and Martin Fleischmann are on the cover of Time Magazine. But three short months later, their careers in tatters and their reputations ruined, they flee the US as Cold Fusion becomes synonymous with 'bad science.' Twenty-two years later, despite continued disdain from mainstream science, a group of scientists, entrepreneurs and one high school student are confident that Cold Fusion will save the world, and that we're closer than ever to the Holy Grail of civilization. They're The Believers.

A documentary about youth politicians changes radically on July 22nd 2011, when a right-wing extremist murders 69 people at a summer camp run by the Workers Youth Party.

It's a question that surprises most people: “Would you have sex with an Arab?” Film-maker Yolande Zauberman doesn't just ask anyone this question, she asks people in the clubs and bars and streets of Tel Aviv. 20% of Israelis are of Arab origin, but for some the question is still incomprehensible, for others long since reality and yet others a political issue. One thing it is never is immaterial. The film manages to break down the Middle East conflict into individuals and to show what enormous influence it has, even into the most intimate of spheres.

As Hollywood biographies go, Judy Garland's story is one of the saddest success stories you'll ever hear. The sanitized studio version of her life presented a smiling kid with the big voice, who, alongside Mickey Rooney, just wanted to put on a show. But drugs, overwork, even psychological abuse at the hands of the studio is now part of the Garland legend. But despite the number of Garland books and documentaries, one account has always been missing -- Garland herself never managed to write a memoir. She did make several attempts at an autobiography, often recording stories on a tape recorder. Judy Garland: By Myself (2004), finally fills in the blanks - using Judy's personal recordings to tell the story in her own words.

Ex-con turned poet/performer Lemon Andersen fights for an exit from generations of poverty by bringing his life's secrets to the New York stage. But revisiting his troubled past has more in store than he bargained for, as he is confronted by his demons time and again.

At 85, not only does Tony Bennett still have the smoothest pipes in the music business, he’s got the kind of philosophy that has made him one of the most beloved and respected performers of the last six decades. Made with as much class and refinement as Tony himself, this is an insider’s look at the icon as he records his latest duets collection with stars like Lady Gaga, Aretha Franklin, and—bittersweetly—the late Amy Winehouse.

Documentary that focuses on the story of journalist Lydia Cacho, in which her fight against the network of pedophiles she has revealed is discussed. The film follows the difficult process followed to confront the powerful businessmen and politicians who protect and surround those involved in these crimes: a child pornography network operating in Cancun and the United States.

A gripping portrait of one Puerto Rican family living in NYC. Roberto, 29, the eldest son gay and living in Greenwich Village. Marta the family matriarch, living in Brooklyn and raising the grandchildren that have, for the most part been abandonded by their parents. Danny, 23, returning from Riker's Island after spending yet more time in jail. Beatriz, vanishing periodically to indulg her crack cocain habit.

The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.