The Wolf and the Crane

Animated film by Kouji Nanke.

A world famous conductor suffers while leading a mediocre orchestra.

This short opens showing numerous mice eating all the food in Honey's kitchen and ruining everything in her house. She tires valiantly to run them off but they outsmart her. She makes a phone call and Cubby appears at her door. The mice make quick work of him too. Only a fat cat is able to temporarily stop them but they soon turn on him too. Cubby comes to the aide of the cat but the mice outsmart the both of them. In the end the mice have run off the cat, Honey is gone, and Cubby sits dazed on the floor as the mice cheer their victory.

Kate and Humphrey head out into the woods to look for food to stock up on for winter, and they leave their three pups with their parents. But the pups and the rest of the pack must venture out in search of them after the duo get caught in a blizzard.

The two surviving members of a spacecraft’s crash find themselves on an uncharted planet made up entirely of sand which they remark as being similar to a beach. The planet’s mystery is revealed when a second spacecraft arrives to rescue them.

Mufaro's daughters are tested unknowingly to reveal which one is worthy enough to marry the king in this award-winning production, lush with Steptoe's magnificent paintings and a rich musical score.

O Voo

Zaa follows the journey of a white camel returning to the oasis it calls home and finds an unlikely ally in a young boy. With Zaa, Bellon shows another side of herself, the lover of animals and children, in a land far from France.

Answers questions such as "How many kinds of insects are there?" "Do insects have blood?" "How can a fly walk on the ceiling?"

Our plasticine pooch pal Rex welcomes us to his world, introduces us to his friends, and illustrates how Bad Bob caused dinosaurs' extinction (whoops!)

Our plasticine pooch pal Rex welcomes us to his dreamworld.

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.

In a world where stone slowly overruns people and transforms them into statues, Sai, a twelve years old little boy, has the power to cure this disease with his blood.

When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

'Kiki de Montparnasse' was the unwary muse of major avant-garde painters of the early twentieth century. Memorable witness of a flamboyant Montparnasse, she emancipated from her status as a simple model and became a Queen of the Night, a painter, a press cartoonist, a writer and a cabaret singer.

It was autumn... Sting hated autumn...

A guy equipped with the latest model of bionic power arm gets a map and a mysterious ball from a clandestine dealer, and begins the search for a treasure that is hidden inside an abandoned tower in the desert.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

The protagonist is a Miller living in a watermill. He bakes daily bread and raises ducklings whom he wishes one day to set free. But on the field next to his home, hunters go to shoot birds.