Monuments Are Here

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

A fascinating look at the intersection of art, commerce, and digital ownership through the rise and crash of the NFT market.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Renaissance artist Sandro Botticelli (1445-1510) is both a cultural icon and a lasting source of artistic inspiration. His famous female figures, like Venus and Primavera, have become part of our shared visual memory and influence artists worldwide. Berlin director and art historian Grit Lederer explores Botticelli’s life and work, focusing on the Gemäldegalerie’s impressive collection. The film examines how his iconic paintings continue to inspire art and advertising today. Experts reveal what makes his style unique and why his work was forgotten for centuries after his death. Contemporary artists such as French artist Orlan and American Michael Joaquin Grey present works inspired by Botticelli. The documentary traces Botticelli’s enduring impact from Florence through Paris and New York to Berlin.

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works, paintings and drawings included.

Wylie carries a telescope through the streets of Los Angeles to offer passersby a new and closer look at a familiar object: the moon. Because everyone needs to keep looking up. Because it is a beautiful and wondrous sight to behold the body of the moon.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

In 1974, a Mormon missionary finds his world turned upside down when he falls in love with a handsome Italian Communist. With original 8mm film and fierce storytelling, Tom Clark recounts a love story set against the backdrop of coastal Italy wrought with faith, identity, cigarettes, and Thorazine.

Despejadas

For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.

A compilation reel of local movie theatre trailers for upcoming events, such as a “Bug-o-Rama” festival and a “Marathon of Fright.”

Portrait of the early era of computing which examines the workings of a new and mysterious machine: the Canada Land Inventory Geo-information System. This "instant library" was created to help assess and document the geographical landscape, including sampling and analysis of soil, forestry, timber, wildlife, resources, industrial sites, and many other aspects.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.