Sakura

Having played the role of a model prisoner, Kyoko is finally released on parole. She is greeted by Tomohiro, a man requested by Kyoko's boyfriend. Once she gets in the car, her appetite, sexual desire, and all other desires begin to blossom.

Ten years have passed since the disaster. The men are back. The new enemy they face is the new coronavirus. What comes before the four men, who have never met anyone new...

A young man wakes up to find a power cable growing out of his navel and that he cannot live without a re-charge. Just then, his crush asks him out on a date!

Haruno, a second-year high school student, is aiming to go to a national university as her parents wish, but she really wants to be a groomer. However, she has been unable to confess her true feelings. Another worry for Haruno is the rumor that her childhood friend is dating a sugar daddy...

Itsuki, a young director, begins making a film with a homeless girl she meets one day as the protagonist. However, this leads her to confront the distorted reality that she had been pretending not to notice.

A girl who has never been outside since she was old enough to understand. "It's dangerous outside," her mother tells her, but one day she hears a "sound" from the other side of the front door. That "crack" begins to move the girl inside.

The protagonist doesn't know what she wants to do. While asking herself, "What did I dream of when I was little?", she spots a woman dancing classical ballet on the riverbank while traveling on a bus.

An urban skateboarder lands on a manhole—a cultural artifact protected by a shadowy association—and takes an unexpected and possibly lethal penalty.

A group of Chinese refugees and straggler soldiers, led by a machinist, defend their mountain town, "Gezhi," against a surprise attack by Japanese reconnaissance troops in a desperate fight using civilian ingenuity against a trained military force.

‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.

A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.

Uday meets an ambitious and independent girl named Shweta and ends up falling in love with her. After she refuses to date him he sought advice from a love guru.

Two opposing gangs. Two individuals from either side of the dispute. In Judas, watch as they come together and share a moment during a seemingly innocent game of basketball.

An unknown calamity is killing off ninety-percent of mankind. There is no cure, no hope and no future. A man and woman, who are laden with suffering and anxiety, are drawn together. They spend their final days, and perhaps the final days of the planet, together in a different environment somewhere in central Japan of the near future.

Suspected murderer and former drug addict Billie Reed and her cop boyfriend are marooned on a desert island. Meanwhile, Carrie and Austin visit a mountain resort for a romantic getaway and discover that Jennifer and Peter are also there.

A film based on the highly popular Yugoslav TV series Better Life. Dragiša 'Giga' Popadić, the head of the Popadić family, organizes a Women's Day shopping trip to Thessaloniki, Greece, for his female coworkers.

Failed drama series pilot about events at a trauma center run by two doctors struggling to keep the Emergency Room open.

Immigrants, their American relatives and government officials deal with the stress of living in a post 9-11 world.

In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.

An engaging, smart and wry take on the British rom-com, offering dark comic twists as it explores love and isolation in our technological age. A funny, moving look at the complications of modern love, starring Edinburgh Festival Best Newcomer Ciaràn Dowd (Drunk History). A group of friends are at different stages in their relationships and none of them are convinced about what they're doing: Emmy and Samantha are getting married, Josh and Jenifer are breaking up and Niall is sleeping around; but can any of them hold down a relationship?