Big Red House

Due to drug abuse, a 13-year-old boy is placed into a detention center for young offenders. After a week, the judge will decide if he must stay there or go back home. Confronted with the adults, the judge, the psychologist and the social workers, the boy uses his most effective power to rebel against them all: lying.

Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

The two brothers Teis and Nico find a poster from "Gone with the Wind" and they start talking about why people kiss and the techniques behind it. Later they meet Giinjha and she invites them to her birthday-party. While they are preparing to go to the party they rehearse how to kiss in the way the poster suggested because Teis has announced that he is in love with Giinjha and will kiss her even though he is not comfortable about it.

(A) Torsion is a 2002 Bosnian short film directed by Stefan Arsenijevic. A singing group, trying to escape war-torn Sarajevo, has to wait for a tunnel to clear. While they wait, a cow has difficulty giving birth because of the "torsion" affecting its calf (i.e., it's in a twisted position inside). Fortunately, one of the choir members has some veterinary training, and with help from the chorus to drown out the sounds of war, the cow gives birth. The film was nominated for an Oscar for Best Live Action Short Film.

Amir and Yassi are in the middle of a road trip where a make-shift game reveals the hidden sides of their characters and their unique relationship

An adaptation of the Dostoyevsky novel.

After the suicide of his best friend, a teenage boy is forced to deal with his guilt and sexuality.

two college seniors coincidentally reunite at a party after drifting apart freshman year. unrealized anxieties, impulsive decisions and one particularly potent joint...

One day at work, unsuccessful puppeteer Craig finds a portal into the head of actor John Malkovich. The portal soon becomes a passion for anybody who enters its mad and controlling world of overtaking another human body.

When an arcade game enthusiast's anxiety makes it difficult for him to make friends, he realizes he may need to connect with people in a way he has never tried before...

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.

A short prior to World War I film which captures festivities at a fair near a church in Bitola.