Hypnotic Scene

A clueless man finds a bomb on the street and keeps throwing it to the crowd around him. The sketch then moves with the clueless nerd getting involved in all sorts of troubles until he accidentally gets into a hideout from a terrorist group that will complicate things for him more than he ever hoped.

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

A Harold Lloyd short featuring a young Snooky the chimp

The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.

In Prohibition-era Chicago, musicians Joe and Jerry witness a mob hit, and flee the state in an all-female band disguised as Josephine and Daphne, but further complications set in.

The Transformation: A Sandwich of Nightmares

Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of 'idiots'. Their primary activity becomes going out into the world of 'normal' people and pretending to be mentally incompetent. They take advantage of this situation to create anarchy, and, by every possible means, to make those around them miserable.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

Convenience and video store clerks Dante and Randal are sharp-witted, potty-mouthed and bored out of their minds. So in between needling customers, the counter jockeys play hockey on the roof, visit a funeral home and deal with their love lives.

In the village of Stubbhult lives many motorcycle interested young people. However, their rampage interfere with the local population.

When a distant Irish relative dies, a young American travels to Ireland to obtain his inheritance. He gets far more than he bargained for when a beautiful Irish colleen catches his eye.

A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.

A 1919 film directed by Sidney Franklin.

Tom Clark, the part owner of a luckless gas station in New York, returns to his place of birth for Old Home Week, posing as the millionaire president of the Amalgamated Oil Co. He is chosen as the orator for the homecoming banquet and given complete financial control over an oil well drilled in the town by Coleman and Barton, a pair of oily swindlers. Tom discovers that the well is a fake and has it connected secretly with the local reservoir. A wire from Tom's partner is intercepted, and Tom is exposed as a fraud. Coleman and Barton are about to leave town when Tom fakes a gusher and quickly sells the well back to the swindlers at a profit. The swindlers realize that they have been outsmarted, and their anger convinces the townspeople that Tom has acted in the best interests of the community. Tom is again the toast of the town, feted by its inhabitants and rewarded with the kisses of his sweetheart.

The old Atwell home is said to be haunted, and Jeremy Foster, the gardener--who is actually the head of a band of thieves that use the house for a hideout--does his best to keep the superstition alive. Despite the rumors, impoverished sisters Lois and Alice Atwell decide to move into the empty family home. They take possession the same night that Ted Rawson is ordered to explore the place as an initiation rite by his fraternity.

Enrico cuisinier

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.