Trilby

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

A public service animation from O'Galop that warns against the dangers of alcohol. Oh, the woes of drinking. Even a small glass of alcohol will turn someone inevitably into an epileptic criminal.

The story centers on a sordid love triangle involving a woman and two men. Their personal tensions and romantic complications reach a breaking point just as the local infrastructure fails. The climax of the film occurs when a massive dam bursts, unleashing a catastrophic flood. This disaster serves as the ultimate resolution for the characters' interpersonal struggles, forcing a conclusion to their conflicting relationships through the life-and-death stakes of the inundation.

A wealthy boy is involved with three girls from three different religions: Rachel, a Jew that he lies to and claims to be a Jew himself, Marika, a Greek Christian, and Fatma, a Muslim woman whom his father wants him to marry.

Howard Peyton served two years for forgery. Jerry Grafton, a genteel crook, is on the lookout for him when Howard comes out of prison. He is met at the jail door by his young wife. Jerry also meets him and offers him help, but urged on by his wife, Howard refuses it. When they reach home, his wife, who has a little money, induces him to go to New York and start life anew, and send, for her when he has a position. In New York, he manages to obtain a position in the office of Arthur Jamieson, an importer. Howard sends for his wife to join him. While he is waiting, Grafton finds him and insists that he forge his employer's name, or he will expose his past offense. Naturally weak, Howard yields.

Glory Quayle, a natural-born mimic, leaves her country home, reaches London, goes on the stage, gains fame and affluence. John Storm, her country sweetheart, believing he has lost Glory forever, enters a monastery, tries to forget her, cannot kill his love, returns to the world, becomes a famous slum worker and friend of the poor.

On Wall Street a strong-willed and arrogant stockbroker, one of those successful men who feels no one else knows anything, exasperates his son, a broker as well. The son goes into business for himself successfully. When a panic comes, his father is brought to the verge of ruin by speculating against him driving a further wedge between them. In time a reconciliation is forged by the women in their lives.

Everybody's ordered out on a strike when Benjamin Cohen, proprietor of a sweat-shop, reduces the employees' wages ten per cent. Rebecca Barish, a young Jewess, and her father, reluctantly go out with the rest. Unable to find other work, their circumstances become so reduced that Rebecca is obliged to go to the pawnshop with some of their belongings, and while there, Jacob Stattler, the pawnbroker, takes a fancy to her, and offers her father, through a schatehen, five hundred dollars to give her to him in manage.

In the college play, Tom and his room-mate, "Bunch," take prominent and successful parts, Tom as the hero and "Bunch" as the heroine, in which he is an excellent female impersonator. The day after the performance, "Bunch" makes an engagement to take a real chorus girl to dinner. Unexpectedly his mother comes to college to visit him and he makes Tom take the girl.

A crook and his gang plan to con a young woman out of a cache of stolen loot they, and the police, believe she's hiding. The situation changes, however, when he falls in love with her and he sets out to save her from being imprisoned for a crime she didn't commit.

In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

Young marrieds Paul, the Viscount De Sallure, and his bride Florence are in financial straits. Florence’s inheritance is available to her only if she separates from her husband so the pair concoct a scheme to give that appearance. Problems emerage when Paul seems to be taken the ploy to heart with Mlle. Fifi but all turns out well in the end.

Folly Vallance marries millionaire Anthony Bond for his money, but he insists on a marriage in name only. Entering the social scene she befriends Bond's close friend Keene Mordaunt. When Count Svensen tries to extort Folly into running away with him, Keene pursues them to a country house where they meet Anthony, who accuses his friend of treachery. Folly finally recognizes her love for her husband and explains the cause of her actions; Bond forgives her leading to their reconciliation.

Jessie Bartlett, a shy 18-year-old girl, learns the lessons of love from her mischievous grandmothers Mijili, Nancy and Kumanjayi. A film about relationships and culture set in the desert.

Myrtle Meers breaks her engagement with Larry Fields when he proves to be a coward. Fields goes to work in his father's Pennsylvania coal mines to find his manhood. There he thwarts a plan to control the mines, rescues June Waugh, the girl he loves, and wins self-respect.

A sorrowing mother, bereft of her infant, visits a foundling asylum and adopts a baby girl. The young window lavishes her love and care on the adopted infant and her environment is the finest. Father Time present the baby with an hour glass containing "The Sands of Time" which are all in the upper part of the glass.

Cordelia Marlowe comes from a society family that has lost its fortune. She falls into the clutches of D.K. Franklin, a crooked lawyer who specializes in blackmail, and finds herself involved in Franklin's scheme to extort money from a family friend. She sets out to protect her friend's money and expose Franklin for the thief he is.

In China, a boy reads a legend about a mysterious woman's power over a wealthy Mandarin prince. In New York, Betty Cardon, a social butterfly, disregards her husband Blair's order to stop gambling their money at bridge, and finds herself in debt to Geoffrey North, who, encouraged by her flirting, now wants sexual payment. Cherry Blossom, a Chinese girl who refuses to be sold by her father to the brutal Li Hsun, a wealthy Mandarin, hides in Betty's home after Betty's friend, Susan Pettigrew, a mission worker, introduces them.

On a South Sea island, wealthy hunter Scott Quaigg meets Tiare, the daughter of a drunken Scotsman and a native woman, who happily give permission to marry her. While sailing to his home in New York, Quaigg treats Tiare roughly and throws Captain Croft overboard when he comes to her defense. Quaigg attempts to tame Tiare by exploiting her superstitions and threatening her with the same whip he uses on his pet leopard. Later, Tiare awaits her husband's return from a hunting trip with a gun and fires as a man enters, only to discover that it is Captain Croft, who was saved from drowning. Quaigg finds them together and releases the leopard. However, the beast kills its master before being shot by Croft. Afterward, Tiare and Croft return to the South Seas together.