The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
A prizefighter-turned-longshoreman with a conscience goes up against labor leaders to expose corruption, extortion, and murder among the union ranks.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
John Bird and Franklyn Fordham were once business partners, but because of Bird’s shady dealings they part. After years of success for one and failure for the other, Bird takes drastic measures, resorting to arson before his scheme is thwarted.
Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).
Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.