Ihmisiä elämän pohjalla

A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).

"Rose" is a filmed one-woman theatrical performance. A moving reminder of some of the harrowing events that shaped the century. It remains sadly relevant today as racial tensions escalate, and allegations of antisemitism are rife.

When college student Adam falls hard for Evelyn, an ambitious art major, the meaning of both art and friendship are pushed to their limits. Neil LaBute’s Olivier Award nominated chilling comedy is now streaming exclusively on Original Online, direct from its hit run at Park Theatre, London.

The stage play is an alternate retelling of the end of the Yorknew City arc, where Kurapika captures Chrollo and forces the Phantom Troupe to exchange their hostages of Gon and Killua for their leader. This play also features flashbacks of before the Phantom Troupe first came to be. Unlike the first two stage plays, this is not a musical.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

A spirited heiress wishing to break into theatre on her own merit arrives at a boardinghouse where aspiring young actresses and showgirls are brought together through their cynicism and disappointments.

Theatrical recording of the play from "Black Blood": 1917 was the year during the Great War that nearly led to a revolution in France. At that time, Merlin was a modest but passionate professor. Nicknamed Cripure by his students, he spent most of his time reflecting on the human condition, in the light of God, which was supposed to exist. Filmed in Théâtre du Cothurne in Lyon.

Regina McKenzie struggles with still living at home with her parents, juggling questionable career choices, and dating the wrong men. Love on a Two Way Street is a live stage play event that covers the entire emotional spectrum.

East Germany 1978. Karoline and Robert, teenagers who used to live in the same house until Robert's family moved, meet again at this year's holiday-camp. First love, first nude experience, first self-made theatre performance of "Romeo and Juliet". A look at the east-German youth in the late seventies.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.

A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic. And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.

Tony and Bella are a couple in love in a long-term relationship and support each other in their dreams and choices. But this is the first image of their beautiful life. Their dreams are defined by their ambition and their need to develop and succeed in their professional field. When their paths temporarily separate, their charm, the way they deceive or even seduce become weapons to achieve their goals. The guilty choices they make break the window of their perfect relationship and everyone is faced with the result of their actions.

A graduate student interviews the retired General and President Dwight D. Eisenhower at his Gettysburg farm, sometimes confronting him about his inaction on Civil Rights and McCarthyism.