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Ken Blanchard describes six keys to successful teamwork, all found in a Hollywood movie classic.

A visual essay by filmmaker and critic David Cairns. Recorded for Arrow Video in 2023. Included as a special feature on the 2024 Limited Edition Blu-ray and DVD release of The Shootist.

From the Academy Award-nominated producers of Everest and Grand Canyon Adventure comes an all-new IMAX 3D Theatre experience—Arabia 3D—about the extraordinary culture, history and religion of Arabia.

This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.

The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

The urge to relieve a winter valley of permanent shadow and find gold in alluvial gravel is part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, smelters, former city officials, and a curious cliff-side mirrored disc congregate to form a town portrait. Shot on location in Dawson City, Yukon Territory.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

Grand Canyon is a 1958 American short documentary film directed by James Algar and produced by Walt Disney Productions. It is a pictorial interpretation of Ferde Grofé's Grand Canyon Suite. Grand Canyon is one of Walt Disney's more unconventional and experimental works, as it has musical accompaniment, but no dialogue or narration. The short won an Oscar at the 31st Academy Awards in 1959 for Best Short Subject (Live Action).

The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.

Vertigine (Vertigo) is the original title of a fragment of around 4', signed by Michelangelo Antonioni, which is a part of the eight-minutes documentary La funivia del Faloria. The title was eventually modified in La funivia del Faloria because considered more effective to obtain the governmental prize (at the time the minimum length allowed was 8 minutes). Vertigine was shot in 1949 with the cinematographer Bellisario, who was director of photography in several documentaries in those years, but was edited only in 1950, after Antonioni had made his first feature film, Cronaca di un amore.

Part cartoon and part documentary, this film offers a humorous look at birds and the ways people perceive them.

The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.

Piwowski's documentary debut is a satirical reportage, referring to the poetics of the Czech school at the time. The starting point was an order from a film studio to join a project proposed by the Germans: what do teenagers in your country do on Saturday at 5 pm? Images from the lives of teenagers from Kętrzyn make up a contrasting slice of free time in a small town. Firemen maneuvering to start a fire outside working hours, bodybuilders training, choir rehearsal, dancing in Hitler's former headquarters...

After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee. "Half a Life" is a timely story of activism and hope, set in the increasingly dangerous, oppressive, and unstable social climate of Egypt today.

Six fearless surfers travel to the north coast of Iceland to ride waves unlike anything they've ever experienced, captured with high-tech cameras.

In this short film starring Grady “Shady the Great” Thomas, Solange seeks to illustrate Black domesticity and collections, and the evanescent emotion that immortalises the physical objects we own, captured in the tape of its own medium.

A mockumentary about four people and their idiosyncratic ways of saving the planet.

A look behind the lens of Christopher Nolan's space epic.