Tarzan's son Jack is kidnapped from England by his old enemy Paulovich. Jack escapes into the African jungle where he meets Meriem, a European girl held captive. Freeing her, he falls in love but she's sought by Paulovich. Then Tarzan arrives with Jane to save the day!
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
A family goes to a photographer. The photographer pushes the boy around, and no one seems to care. The boy gets his revenge.
A young boy’s toys come to life through animation.
A rich man's daughter has more suitors than she's interested in, and he's going to marry her off -- even if she doesn't know about it.
A constable and a subway attendant are working late at night in an underground station when a well-dressed man with a cigar in his teeth enters with his arms around two women dressed in long skirts and jackets, gloves, and fancy hats. The trio laugh and stumble on the platform as if having a hilarious time, getting the attention of the policeman who attempts to stop their bawdy behavior.
Travellers, nomads and salesmen make their way along a dam next to the Nile.
Jones is on his way home, carrying a roll of money, when he meets a neighbor who is a notorious miser. The neighbor unexpectedly invites Jones to dinner, and serves him a large meal with plenty of wine. After dinner, the neighbor suggests a way of passing the time - and soon his real intentions become clear.
This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.
This the story of a wizard elk - Rauten, as people called him. He was a human being in animal guise. The story begins in Ré Valley, which lies like a yawning gap between mountains, long and flat with borders of forests so dark that they look as though part of the blackness of night lingered in them. A river moves sluggishly along the bottom of the valley, making its way slowly and carefully between stretches of light-red sand. It runs northwards, a rare thing in Norway.
Stirring romance, hard riding, desperate fighting with the Cossacks playing their game of war and chivalry. A mighty picturization of Count Leo Tolstoi's famous novel of the same name.
Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.
After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.
In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.
The mysterious air pirate Filibus steals from the rich and then retreats to the safety of her airship, which is manned by a staff of mask-wearing lackeys who instantly obey her every command. When an esteemed detective sets out to investigate the thefts, Filibus attempts to frame him as the burglar, while also slipping between male and female disguises to romance the detective's sister.
The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.
A loyal dog follows his master to the front in World War One.
The engineer Karl Hartmann invents a new, gigantic brown coal excavator. He discovers that there are large deposits below his home country and decides to use the excavator there.
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.