The Punk Rock Movie

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

Le rock alternatif (une brève période de médiatisation du punk français 1986-1989)

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.

Dr. Feelgood are considered both the pioneers of the 70s punk wave as well as the epitome of the so-called pub rock, the antithesis to the stadium rock. And yet the band was so much more.This DVD contains 23 great Dr. Feelgood tunes, featuring Wilko Johnson, spanning 1974-1977. Seminal, crucial and 100% Rock & Roll.

A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.

Lo que hicimos fue secreto

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.