Umbilina e Sua Grande Rival

URAI

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

In a world embracing change, Ajeng distances herself from her Javanese roots. She explores the consequences as she grapples with the clash between tradition and modernity. "Wicanten" is a poignant reflection on the evolving dynamics of language and its profound impact on personal and cultural connections.

A young girl leaves her Nigerian village to attend a ballet school in England. Fascinated by Tchaikovsky's Swan Lake, she dreams of performing as lead ballerina Princess Odette, but the girls in her close-minded ballet school mock her ideas of a 'black swan'.

In ‘what does it feel like to live inside a pomegranate?’ Iranian-American filmmaker Kamyar Mohsenin transforms a giant pomegranate into a portal. The protagonist ambiguously consumes the fruit in interludes, reflecting the tension between nourishment and the discomfort of engaging with one’s cultural heritage.

“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.

Sam, a fearless young girl raised outside of her Māori culture, is determined to fulfill her mission of connecting with her mountain. She hopes it can heal her from the cancer she is battling. Along the way, she meets some misfits and new kids in town, and together they journey through a difficult route, discovering the true spirit of adventure and the magic of friendship.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

Gameleira Agulha

T'Day

O Inventor do Sertão

The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

O Monstro do Sertão

College freshman Krishna Reddy, who has never cared for his Indian-American cultural heritage, looks forward to a new life on campus but is surprised to find that he has been assigned Indian roommates.

The story follows a man living in Joburg city who helps a stranded woman, throughout the night, they reveal pieces of themselves.

"#Y" chronicles the adventures of the members of a generation made universal by social media, internet, sex, drugs and alcohol.

Anaya, a young Barbadian woman living in Toronto, is forced to confront her growing disconnection from home after she realizes she can no longer remember a song her late grandmother used to sing to her. When two Caribbean folklore spirits appear in her apartment offering to help, what begins as a search for memory transforms into a haunting test of identity, ancestry, and cultural belonging.

O Legado

Set in 1980s Sweden, an immigrant boy navigates a chaotic world of identity, love, and belonging. A kaleidoscopic journey through fragile places where acceptance lives.