Umbilina e Sua Grande Rival

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Aisyah just graduated. She lives in Ciwidey, West Java, a religious village near a tea plantation, with her mother and younger brother. Her father had died a few years ago. She wants to be a teacher. One day, she gets a call from the foundation where she enrolled: she gets her wish fulfilled at the location that she never knows: Derok, North Middle Timor District. From the beginning she feels like a "foreigner". The local people mistake her as Sister Maria, just because she wears a veil like a sister. The people is expecting the arrival of Sister Maria as a teacher in the village. This isolated village is without electricity and cellular signals. The new environment, the different tradition and religion make Aisyah giddy. Fortunately there is Pedro (Arie Kriting) who makes the problems easy. She must face the hatred of one of his student, Lordis Defam. Through the chief, she understand that she is a Muslim who is considered an enemy by Lordis Defam who is a catholic

The possible consolation of losing someone is perhaps hope. After they grieve the death of their parents, Manong and Ading will once again suffer anguish because someone who is very dear to them goes missing. Due to their fear of losing another loved one, they go for a quest. Will they be successful in their search or will they be condemned to lose for another time?

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

AINDA NÃO! Centro Cultural Charada

Lost in the middle of nowhere, a pregnant Woman and a hopeful Man walk in search of Getting There, an unknown place where Hope reigns and the days are good. The Death, always lurking, tries to change the paths of the wanderers and transform their dreams into hopelessness. A seed given by Hope can change the course of the retreatants and take them to the long-awaited place of prosperity.

Phoenix Club

Entre Corpos

College freshman Krishna Reddy, who has never cared for his Indian-American cultural heritage, looks forward to a new life on campus but is surprised to find that he has been assigned Indian roommates.

Three parallel love stories set in three different cities are set against some of the major international events of the last five years, in this ambitious.

The 1905 law proclaiming the separation of church and state is 120 years old. This law affirms freedom of conscience and religious freedom. It is considered the founding text of secularism. Secularism is the subject of endless controversy and debate.

An illiterate village girl defies the customs of her tribe, discriminatory to women, only to become the spark of a Literary Revolution.

Bacata is the first name of Bogotá: the lady of the Andes, the mountain that lights up. It's also the name of a tower, the tallest in Colombia, never completed. From the 28th floor, Laura observes the city, its secrets and its struggles. From the 28th floor of Colombia’s tallest building—a long-awaited, still-unfinished tower block in the centre of Bogota—Laura observes the city below, its secrets and its struggles, as a colourful cast of gardeners, activists, and human statues go about their daily lives in the shadow of the country’s history.

Arrebol

In a world embracing change, Ajeng distances herself from her Javanese roots. She explores the consequences as she grapples with the clash between tradition and modernity. "Wicanten" is a poignant reflection on the evolving dynamics of language and its profound impact on personal and cultural connections.

Gameleira Agulha

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

"#Y" chronicles the adventures of the members of a generation made universal by social media, internet, sex, drugs and alcohol.

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

Seas the Day: The Sailing Movie is a genre-defying documentary that blends real-world adventure with deeply human storytelling. It transcends typical sailing documentaries by blending docu-fiction with a narrative inspired by Joseph Campbell’s classic The Hero's Journey. Directed by Ryan Luskin, an anthropologist and teacher, the film follows his family's quest across sixteen countries, learning life skills from diverse cultures.