The World Beyond

Le Golem de Montréal

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

Axel, the magician, raises a boy into adulthood. When Axel dies, it's the young man - son of a murderer, and well tutored by a magician - to keep on the tradition of guarding the Daughter of the Golem.

After a warehouse fire, museum director Grove and assistant Pimm find everything destroyed, only one statue withstood the fire mysteriously undamaged. Suddenly Grove is lying dead on the ground, killed by the statue? Pimm finds out that the cursed statue has been created by Rabbi Loew in 16th century and will withstand every human attempt to destroy it. Pimm decides to use it to his own advantage.

After a pawn shop robbery goes askew, two criminals take refuge at a remote farmhouse to try to let the heat die down, but find something much more menacing.

A young man, whose girlfriend was killed by street thugs, builds a Golem, Frankie, who is programmed to go out and kill the thugs. But all Frankie really wants is love.

A re-imagining of the old mystical folklore that follows a woman and a tight-knit Jewish community that is besieged by foreign invaders. She conjures a dangerous creature to protect them but it may be more evil than she ever imagined.

"When the Lights Go Down" is a fantasy movie based on a personal experience of the film director. The film tells a story about a teen boy who is being bullied in school. A boy named Mantas creates his own guardian demon, who protects him from the bullies. Although it is not letting the boy to live a normal life. Film's timeline portrays one day at school, when the classmates of Mantas assault and beat up him badly. And here it comes, the guardian demon ready to revenge.

The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.

A series of murders has shaken the community to the point where people believe that only a legendary creature from dark times – the mythical Golem – must be responsible.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

When Seb is offered a place on a radical retreat designed to solve the national crisis of teenage unhappiness, he is determined to change how people see him and make his parents proud. But as he finds himself drawn to the enigmatic Finn, Seb starts to question the true nature of the challenges they must undergo. The deeper into the programme the boys get, the more disturbing the assessments become, until it’s clear there may be no escape...

Pilot that was not picked up by ABC about the escapades of skid-row bums living at an inner-city mission.

Manuel Jiménez receives some clandestine wiretappings that he has to transcribe. Because of this, and almost without wanting to, he enters a kaleidoscopic plot that involves a group of people at a party, their later walkabouts around the city at night, and their relationship with the secrets hidden inside Vodka’s diary.

Life at the office isn’t always as it seems.

The Big Fat Man Child returns to watch another grotesquely funny anthology of madness.

An awesome collection of underground sinister and seedy tales by notorious grindhouse film makers Jason Impey and Kieran Johnston. Witness bizarre stories unfold featuring sadistic killers, crazed gimps, necrophiliacs and evil Nazis where each tale pays homage to the great exploitation era of cinema.