Behind the Scenes with the Quay Brothers

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

An unlikely connection sparks between two creatures: a fiercely independent stray kitten and a pit bull. Together, they experience friendship for the first time.

A father discovers that his son floats, which makes him different from other kids. To keep them both safe from the judgement of the world, Dad hides, covers, and grounds him. But when his son's ability becomes public, Dad must decide whether to run and hide or to accept his son as he is.

God is a single parent and amateur programmer. He’s working on project ‘Earth’ but never seems to get a break from the kids. One day though, he finally gets a breakthrough.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Rufina is ready to spend a field day, surrounded by peace and pleasant nature, will it be as simple as it seems?

While on a romantic getaway, Alan and Beverly cause a fatal accident. This crime won't remain unpunished...

A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.

Since childhood, Lea has been seeing ghostly deer looming around her. Now that she is in a relationship with Maud, the visions are getting worse. How can she prove to her girlfriend, and to herself, that this is a real problem to be dealt with?

The Cenesis of the fast food.

Amateur animation by 20-year-old Hikeaki Anno (Neon Genesis Evangelion) while he was studying at Osaka University of Arts. The short features a speeding car with physics-defying tires.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

Behind the scenes of Olaf Ittenbach's 2001 thriller

The autumn merciless wind brings a middle-aged man to a cafe. Strange cafe: amazing waiter, strange visitors and strange tastes - The man's menu attracts the most expensive dish called "Summer full". What kind of dish is this? He makes an order. But the wait is dragging on.

In a dense forest, a monoceratops-type plant-eating dinosaur is stalked by a carnivorous Tyrannosaurus rex.

Hunter Thompson visits the set of Fear and Loathing in Las Vegas.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An ancient fleet of paper boats is enslaved by the music of a record player; when it breaks down, the boats see an opportunity to rebel.

Documentarian Richard Lavoie follows the artists of the Mer Océane symposium which took place on La Grave, in the Magdalen Islands, in 1998.