Villages in the Sky

The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Haiti: Where Did the Money Go

The unveiling and dedication ceremony of the Calgary Soldiers' Memorial.

A pseudo-documentary about the life, work and creations of trash filmmaker Jim Hart.

Calling Mr Smith: a 10-minute anti-war film denouncing the destruction of Polish national culture under the Nazis.

A Cockney lad trains to be a messenger boy.

"LIMITLESS", is an original documentary about 7'5 French basketball star Victor Wembanyama and his journey to becoming the projected #1 overall pick in the 2023 NBA Draft.

This documentary shows the construction of a high-altitude dam by the Sabbioni Glacier, and the daily struggles of the workers, now anxious for the outbreak of a mine, now silent for the nostalgia of the distant family.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

Six girls coming of age, ready to become something extraordinary.

The free-spirited denizens of Sunset Hall, a Los Angeles retirement home, haven't let advanced age stand in the way of their voicing their concerns about the social and political topics of the day. Documentary filmmaker Laura Gabbert focuses on two of the facility's more outspoken residents — irascible cynic Irja Lloyd and upbeat, wheelchair-bound Lucille Alpert — as they attend political rallies and discuss their often opposing viewpoints on hot-button issues.

A playful and original vision of the indelible mark left by Emiliano Zapata.

A mashup of the Lindbergh baby kidnapping and Wall Street collapses.

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

Germany, as seen from the water. The landscape passes by in epic tranquillity as the audience immerses itself in the world of barge shipping. The top permitted speed for smaller watercraft is specified in the inland waterways regulations as a maximum of 15 km/h. A woman is along for the ride on Germany’s rivers and canals, with plenty of time to explore this little-known cosmos. In the end, the director dreams of a life on board and endeavours to find her place in the predominantly male domain. Welt an Bord is a hybrid of documentary and narrative film. The basic conditions are set by the limited space on the barge and the work that must be done. Kathrin Resetarits embodies the alter ego of director Eva Könnemann, while she herself takes charge of the cinematography. Together they accepted the captain’s invitation to join in this other life. What kind of life is it anyway? Resetarits/Könnemann listen and work their way through fiction and reality.

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.