Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
A biopic on Jyotiba and Savitribai Phule, considered to be a pioneering couple in India’s societal history. They are often credited for underlining the importance of the girls’ education and self-dependence.
Set in the 1970s, an undercover Indian spy takes on a deadly mission to expose a covert nuclear weapons program in the heart of Pakistan.
A young Sardar Udham Singh left deeply scarred by the Jallianwala Bagh massacre, escaped into the mountains of Afghanistan, reaching London in 1933-34. Carrying an unhealed wound for 21 years, the revolutionary assassinated Michael O’Dwyer on 13th March, 1940, the man at the helm of affairs in Punjab, April 1919 to avenge the lost lives of his beloved brethren.
The year is 1893 and India is under British occupation. In a small village, the tyrannical Captain Russell has imposed an unprecedented land tax on its citizens. Outraged, Bhuvan, a rebellious farmer, rallies the villagers to publicly oppose the tax. Russell offers a novel way to settle the dispute: he challenges Bhuvan and his men to a game of cricket, a sport completely foreign to India. If Bhuvan and his men can defeat Russell's team, the tax will be repealed.
In 1948, a cross-fire erupts at an isolated stretch of Indo-Pak border, leaving only two soldiers alive. One is an Indian soldier of Pakistani origin while the other happens to be a Pakistani soldier of Indian origin. An ironic story of pride and survival begins when - in an attempt to evade danger, they bump into each other. And amidst continuous exchange of bullets, altercations and murkier situations, it evolves into a journey of human connection with an unforeseeable end.
Set in 1961 Goa, this is a story of a rich and influential Goan family and what happens to them over a period of time. The movie is narrated in past-tense by one of the friends of the family.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
Born in British India, Bhagat Singh witnesses numerous atrocities during his childhood and grows up to become one of the most fearless freedom fighters in the country.
Based on a real-life historic court case, a bold journalist questions a revered leader's immoral behavior.
Chitralekha is a 1964 historical-philosophical Hindi film, directed by Kidar Sharma, starring Ashok Kumar, Meena Kumari and Pradeep Kumar. It was based on 1934 Hindi novel by the same name by Bhagwati Charan Verma about Bijgupta serving under the Maurya Empire and the king Chandragupta Maurya (340 BCE – 298 BCE) and his love for courtesan Chitralekha. Set in the back drop of the middle age society. The portrayal of the three tools wisdom, knowledge and power become superfluous in the absence of strength of character.
The story is about King Karma Dev who gives a lot of importance to physical beauty. His mother, the Rajmata requests Mahamantri Munjal to find him a nice wife. Karma Dev often dreams of marrying an unknown beautiful woman he had once seen in the Somnath temple. Meanwhile, Mrinalla is the princess of Karnataka, who also dreams of marrying a king she had once seen in the Somnath temple. When Munjal happens to see the beautiful woman Mrinalla, he shows the King's portrait to her and she is happy to finally find the man of her dreams. So she runs away from the palace and searches for Karma Dev to marry him. Soon after, Munjal shows Mrinalla's painting to Karma Dev, who agrees to marry her. On the day of the marriage, the King finds out she is dark and refuses to marry her. After several incidents, Karma Dev realizes his mistake and at last he happily accepts Mrinalla as his Patrani.
A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.
In the midst of India's struggle for freedom in 1942, a brave young girl starts an underground radio station to spread the message of unity, setting off a thrilling chase with the British authorities during the Quit India movement.
In the 1965 Indo-Pak War, India faces a devastating surprise attack. Wing Commander Ahuja leads a retaliatory strike, but Squadron Leader Vijaya goes missing after a heroic solo engagement against a superior enemy jet. Ahuja spends 23 years seeking the truth and uncovering a cover-up.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.