A young couple and a married pair, both suffering from colds, argue over trivial matters, leading to a major ego clash by the end of the day.
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FRIDA!
Gray, an obsessive angsty teenager, must make peace with his struggling family in order to overcome emotional bonds and personal afflictions.
Abismo Púrpura
Haunted by a childhood romance and recollections of love lost during the 1947 Partition of India, 95-year-old Ishar Singh Grewal shares his story with his grandson Nirvair, the past unfolding through memories of migration, longing, and a romance that endures across generations.
Quatro Linhas
After unearthing the camcorder his dying father gave him at his bar mitzvah, a Long Island teenager claws his way into a Manhattan film school — where, with one festival slot on the line and a classmate's film in contention, he must confront the truth that the documentary he's making about everyone else cannot be finished until he stops editing himself, and his father's memory, out of the frame.
Seis Por Um
Alex spends his first new year's eve after his father's death, evoking many feelings he thought he had left behind. With the support of his family he tries to move on.
In 1995 Los Angeles, a conservative radio talk show host's beliefs are shattered when his wife suddenly dies in a gang shooting.
While playing at the beach with their grandmother, two children witness an Elvis-like man walk out of the sea. They believe he's the "fishman" lover of a female taniwha, Hine Tai. Meanwhile their parents (played by Kirk Torrance and Nancy Brunning) are busy falling apart, and the mysterious man offers words that are either wise or dangerous. Set in a small seaside town, this magical realist fable was written by Briar Grace-Smith (Cousins) and directed by Peter Burger (What Really Happened - Waitangi). It got six nominations at the 2002 NZ TV Awards, and won for Best Drama, and for James Cowley's cinematography.
Two women in their fifties. Everything sets them apart: their social standing, their life experiences, their backgrounds. Despite their differences, they will join forces for the same deeply personal and visceral goal: to gain custody of their grandson upon his return from a jihadist prison camp. Two women, one child. Three destinies inextricably linked.
In 1999, a teen girl keeps close tabs on a boy in school on behalf of her deeply smitten best friend – then she gets swept up in a love story of her own.
Kaalam is a human drama about how time influences perception, judgment, and compassion. In an ordinary setting of everyday lives, people cross paths and form opinions about one another - often too quickly. Actions are misunderstood, intentions are misread, and individuals are judged not for who they are, but for what is seen in a moment shaped by circumstances. As time moves through different phases - Samakaalam 1, Samakaalam 2, Kooththukaalam, and Maayakaalam.Perspectives begin to shift. What once appeared right starts to feel incomplete, and what seemed wrong reveals hidden truths. Time slowly exposes the gaps between appearance and reality. Kaalam reflects on how easily humans judge one another, and how time alone has the power to correct those judgments. It ultimately observes how time alters judgment and changes the way people see one another.
On their final camping trip before college, two Boy Scouts test the limits of their friendship by asking honest questions about its nature.
John Rosow drinks to forget. He is a former New York City cop turned Chicago-based private investigator. At the last minute, he is hired by someone he's never met to follow a middle-aged male subject on the soon-departing California Zephyr train to Los Angeles.
A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.
One family, the heart of the American dream. When wartime delivers profits for Joe Heller, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions?