Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Oksana (played by Sofia Rotaru) is a young and beautiful Carpathian girl. On the "Donetsk-Verkhovyna" train she becomes acquainted with a young miner from Donetsk called Boris. The travellers fall in love, but are parted when they arrive at their destination. In the Carpathian mountains their paths diverge, but Boris (played by Vasyl Zinkevych, soloist of the instrumental band "Smerichka") discovers where she is staying. The couple meet again and rekindle their love. Their friends invite them to perform in a concert for vacationers at a mountain resort, where they sing about their feelings for each other.
A Flor da Idade
Using a mix of Hollywood aesthetics with documentary strategies, the film follows a young indigenous girl from the Xingu National Park to São Paulo, where she falls in love with a robot that also happens to be a stand-up comedian. This strange story mixes the anthropology of humor, indigenous communities, and artificial intelligence.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.
The true story of boxer Jim Braddock who, following his retirement in the 1930s, makes a surprise comeback in order to lift his family out of poverty.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
Diana finds a bottle in the sea. The bottle contains a message. The message speaks of love. Love will guide this story.
A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LeBerge. Moments of joy, bonding and roughhousing on a school trip to the beach counterpoint one teen boy’s introspective sexual awakenings and questionings. Magnificent cinematography and editing create a visual feast that provides the imagery for a narrated poem by Peter Laberge alluding to early homosexual desires, but with Catholic overtones never directly expressed.
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
A man suffering from severe OCD attempts to summon dark forces to help him move on from a recent tragedy, only to quickly realize he may be in over his head
One evening Grisha dares to approach Polinka, a girl from the neighbouring village he has admired for a long time. They begin to date and all goes well until the day when Grisha’s impudent friend Kostya decides to ridicule Polinka in public.
When aged-care facility workers find two residents in bed together, familial tensions rise.