Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.
The Beast in Man
Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.
Sami is a film director, who adopts the new actress Naira, falls in love with her, becomes a famous star, marries her, and grows her name in the art world, but during the production of one of their films, he is surprised that a severe love story has been born between his wife and the new actor Raouf, the director feels powerless in front of these feelings The fledgling, sense of danger is approaching his career and family.
Olli, the spoiled young heir of the Koivumäki manor, is separated from his family and brought to Sweden by his cousin. After running away to Finland, he ends up in an educational institution, from where he escapes with the help of his friend Ränni Pelle and returns to his parents.
Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.
The Last Supper, part 6 of Alexandre Promio's Passion Play.
Documentary about a bankrupt Jordanian entrepreneur and an unemployed Irish actress who hatch a plan to scam £2.5m off the British taxman by faking the production of a £20m movie. But they are found out, arrested and then bailed. While out on bail, they decide to prove their innocence by actually making a film. They hire a former nightclub bouncer, now a self-made micro-budget gangster film director. In 2011, Paul Knight makes their movie for under £100,000 with a cast of soap and gangster movie stars including Danny Midwinter, Marc Bannerman and Loose Women's Andrea McLean. The film's title is A Landscape of Lies. But the cinematic alibi does not convince the jury when the trial runs in 2013. The producers are convicted of tax fraud and given long sentences.
Sunniyeh, the poor girl, lives with her mother sewing, and during the delivery of Suniyeh one of her mother's clients ’gowns, who runs a den of immoral acts, called (Madame Southi), so that one of her friends admires Sunnah and asks her to work with them, to refuse, but her mother is ill and Layla needs a sum of money to treat her. Will you give in to work with Madame Southi?
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
For his French-class assignment, a high school student weaves his family history in a news story involving terrorism, and goes on to invite an Internet audience in on the resulting controversy.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
Laila is a good girl and loves the engineer Hossam, and he wants to submit to her, but her family refuse to marry them before she marries her older sister Sawsan, and that sister despite her beauty and attractiveness, no one has presented her to her. .
Gharbawi Bey, owner of a fishing fleet in the Abi Qir area of Alexandria, is in fact a smuggler who is monitored by the detective and recruited for him by the only officer who disguises himself as Dr. Fathi, trying to get close to Leila, the smuggler's daughter, according to the plan set forth by the chief of the detective.
A film about the life of Molière (1622-1673).
Dr. Gar el Hama I
A showgirl with a dubious reputation flees the cops and transforms herself into a phony evangelist offering "cures" to the sick and disabled.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.