صراع مع الملائكة

Hussein and Laila are children who pledge to love. Circumstances separate them and they meet after they grow up and their feelings are renewed, but Laila is exposed to an accident that loses her sight, so she decides to sacrifice her love so that Hussein can avoid life with a co-wife.

São Paulo today. Brazil is in full economic upswing. This is a story of friendship and delusion between three young friends in a big city. Their life is marked by an ordinary routine where nothing much happens except the alienation impregnated by the consumer society and the lack of perspectives. An urgent film representing the historical moment of a generation.

The technical secretary

Hassan wa Morcos wa Cohen

A boy is locked in his room after an argument with his father, but things go wrong and he may never get out of this silent punishment again.

Black Snow tells the tale of a disturbed young man who, after spying on his mother with a black serviceman, finds himself unable to attain sexual arousal unless fondling a loaded gun. Later that night, he murders the GI before running amok through the building and finally slaying his mother's sister...

The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.

The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.

Dr. Neal Goodman enables terminal patients' right to die through the practice of mercy killing via his one-of-a-kind device. But when he sets out to fulfill a mother's request to euthanize her 'terminally-ill' daughter, he discovers that his procedure is the crux of an elaborate cult ritual that tests his ethics like never before.

After a young woman named Joanna loses her memory in a car accident, snobby b-list filmmaker Cole Salvador creates a pretentious documentary about her life. But are Cole's intentions really what they seem?

A series of surreal short scenes portraying a suburban family and their everyday rituals.

In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.

A rural mother sells her only cow in order to enroll her son, an imam (Shukri Sarhan) at Dar al-Uloom College. When an imam arrives in Cairo, he rents a room in the Citadel area from a domineering woman named Shafa'at (Tahiya Karioka) who is fascinated by his youth and vitality and lures him into practicing vice with her. As a result, he stumbles in his studies and health. At this time, a girl whom she and her father knew from a young age helps him to get rid of all the corruption in which he lives, and her father advises him to stay away from intercessions, but the intercessions plots against him in an attempt to stay with her.

An artistic, expressive, experimental short film that explores the dynamic, complex connections between self-awareness and relationships. Specifically, the relationship difficulties individuals may experience when there's a lack of self-awareness and understanding of oneself.

The story begins when Toby (Ivan Jackson), a young English businessman, arrives in South Africa to take charge of a publishing firm. He knows little about apartheid and so at first sees no contradiction in developing a relationship with an elite, upper-class white woman and with a woman dedicated to fighting apartheid. But as Toby makes friends with one of the black South Africans (Zaku Mokae), and as he registers both the subtle and more obvious, deep-seated racial prejudices of the minority white population, some of the truth of the oppression here begins to dawn. That is brought to a head when tragedy strikes.

Herman Melville's mad Capt. Ahab (John Barrymore) spends years hunting the white whale that got his leg.

Montu, an unemployed middle-class bachelor falls in love with Sarasi, a teacher. He tries hard to impress Sarasi but she dislikes his unstable lifestyle and rejects him. Will the two unite?

The adventurous life of Portugal's epic poet, Luis de Camões.

The depressed introspection of a young man in the aftermath of a messy breakup.

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."