Calder

The dramatic inside story of the monumental collision of interests at Ground Zero in the decade after 9/11.

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

A documentary on the history of the Institute and America, spanning from World War 2 to COVID-19. Features AI-enhanced archival footage of MIT from throughout the past century. View now at https://regressions.net.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

The Romans saw the Seven Wonders of the Ancient World as the crowning achievements of their predecessors. Through stunning on-location and re-created visuals, learn how and why they were built and how they dazzled the ancients.

A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?

A listening journey into South Africa's stories and memories of the past, challenges of the present and dream of the future.

On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.

With the help of their high school's newest teacher, four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.

Log Log Land is a 2024 Musical film. The film follows different MIT college students as they navigate choosing between their passions and stable careers. The movie has an original soundtrack that draws inspiration from the 2016 Oscar-winning film La La Land. Log Log Land was written, directed, and edited by Reuben Fuchs and features MIT's premiere A Cappella group, the MIT Logarhythms.

A young, cynical French film student comes to London for the weekend to make a film project for his course. Disillusioned by his London experience, he's befriended by a stranger who shows him a side of the city, and himself, that he never would have seen. The story unfolds through his Super 8 film footage, and his voice-over narration gives us an insight into his thoughts and feelings throughout the journey.

In an alternate universe, three super-humans are treated so harshly by humanity, they each go mad in their own way.

The notorious and mysterious criminal Furax steals France's famous monuments, replacing them with replicas.

These days it seems that nothing is as polarizing and controversial as religious belief. Everywhere one goes it seems that people are asking the question: Do we even need religion? Is it limiting our understanding? What kind of world is being produced by these faith systems? Regardless of your answers to these questions, it is hard to deny that worship still plays an important role in many people's lives and many people simply do not understand where others are coming from. Believers is a unique exploration of those questions related to faith by focusing the lens on five of the world's belief systems, Agnosticism, and the new Atheism. The film follows Sacha Sewhdat's personal journey towards understanding as he searches for the value of religion in modern society. With honesty and objectivity Sacha explores what it means to believe in a higher power or what it would mean to let those beliefs go. It will both inform and challenge what you know about religion in the 21st Century.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

The "stone in the mouth" is the scar that the mafia makes on betrayal's corpse. The modern mafia has the historical and sociological roots into the birth of the american capitalism at the time of Roosevelt. The American "Cosa Nostra" applies the similar methods as the sicilian mafia: same apparatus, same "omertà", same power and same terror. Giuseppe Ferrara, journalist and writer, uses fragments footage, film clips, and current news to make this film.

Documentary that explores the life and career of leading man Cary Grant through film clips and interviews. Produced as S18E03 of the long running series American Masters.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Africa Trek