JORDI SAVALL : Madrigali, Guerrieri & Amorosi

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

Les Miniatures françaises

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20.000 in attendance, they are some of the most popular classical music concerts in the world. In 2015 the Berliner Philharmoniker surrounded themselves with plenty of celebrities, including not only conductor Sir Simon Rattle, but also many figures from film history: Indiana Jones, Robin Hood, Ben Hur and many more. They were all brought to life musically when the orchestra performed some of Hollywood’s most famous film music. With film music from Star Wars, Indiana Jones, E.T. composed by John Williams. Live from the Waldbühne Berlin, 2015.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

In the ancient theater of Delphi, against the backdrop of the ruins of the Temple of Apollo, musicAeterna, conducted by Teodor Currentzis, performs Ludwig van Beethoven’s 7th Symphony, in conjunction with a new choreography by Sasha Waltz and her company.

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

Berliner Philharmoniker - Waldbühne 2011 - Fellini Jazz e Co

Ever since his first visit to the magical Hall of Mirrors at Versailles Palace, superstar classical pianist Lang Lang had dreamed of performing there. His dream came to fruition in the form of a special concert there in June 2015. Lang Lang selected the same repertoire that the city of light inspired him to play on his latest album, Lang Lang in Paris - Chopin s four momentous Scherzi and Tchaikovsky s rarer, masterful cycle, The Seasons making Lang Lang Live in Versailles a companion piece to the album.

JK's is definitely in love with Italy; not only is he fluent in Italian but he sings here traditional songs some of which are in the Napolitanean dialect and he is good at it. There are wonderful views of the Italian coastline with Jonas driving an iconic Alfa. There are bits of black and white film from his childhood spending holidays in Italyas a boy. The audience adores him and his voice soars easily as such songs are easy on someone used to much heavier Verdi or Wagner roles. A delight to the ear.

The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.

or twenty years the Berliner Philharmoniker has celebrated its 1882 founding with a concert at a major European venue, and the 2011 event takes place at the magnificent Teatro Real in Madrid. The renowned orchestra, under the baton of Sir Simon Rattle, performs Joaquín Rodrigo’s beloved Concierto de Aranjuez, Emmanuel Chabrier’s exuberant España, and Sergey Rachmaninov’s dramatic Second Symphony. It is joined for the Concierto by the famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are given full opportunity to shine in this multi-faceted and subtle work.

Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Marco in Venice for a grandiose concert. Facing the basilica, the musicians perform the famous cantata "Carmina burana", twenty-four medieval poems set to music by Carl Orff between 1935 and 1936.

Mozart - Berliner Philharmoniker - Radek Baborák - Daniel Barenboim

Jean-François Zygel - Mon Schubert à moi

A spectacular concert at the site of Beijing’s Forbidden City. The concert features the renowned Shanghai Symphony Orchestra and Maestro Long Yu, who perform Orff’s Carmina Burana with Aida Garifullina, Toby Spence and Ludovic Tézier, before being joined by Daniil Trifonov for Rachmaninov’s Piano Concerto No.2 and Mari Samuelsen for Max Richter’s Violin piece "November". Length 114′ (complete repertoire) / 71′ (Carmina Burana & Jasmine Flower Song) / 43′ (Piano Concert & November)

A festive event marking the 10th anniversary of the Czech Republic's accession to the European Union, during which the Brno Philharmonic Orchestra will perform a live broadcast of L. van Beethoven's popular Symphony No. 9 in D minor, Op. 125, with Ode to Joy.

Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.

Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.