A short documentary about local and sustainable fashion in Denmark.
Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.
The actors who played Tevye's daughters reflect on their experiences filming Fiddler on the Roof.
A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.
The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.
An affecting observational documentary about the education of youngsters with learning disabilities at two Rudolph Steiner schools, in Bristol and Yorkshire. An extra on the BFI Flipside DVD Private Road
George Stoney investigates the living conditions, both good and bad, in the rural, segregated South.
The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".
A group of Miskito Indians use Nicaraguan child soldiers in their resistance against the Sandinistas.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
A Foot in the Door tells the story of Kindergarten to College (K2C), the first universal children’s savings account program in the United States. Launched by the City and County of San Francisco, the program automatically provides a college savings account to children when they start kindergarten.
Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.
Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
An Indonesian student in London attempts to deal with the absurdity of confinement and immobility due to then-ongoing coronavirus lockdown by talking to his parents – who also face similar movement restrictions in Jakarta – over the phone.
Short documentary about the making of the 1938 film "Jezebel."
Brian Bolland’s artwork is instantly recognizable to comic book enthusiasts all over the world. Known for his amazing cover art, it was a rare inclusion into the body of a graphic novel, Batman: The Killing Joke, that helped the perennial story of Batman and The Joker remain a fan favorite for decades to come. Combined with the graphic novel’s original script – which is more than just the telling of a story, but an intricate map explaining every stop along the way to the end of a fantastic journey – this documentary reveals the artistic process behind The Killing Joke’s distinct style. We’ll learn how artists and writers excelled at conveying story and human emotion one panel at a time, mesmerizing readers with unforgettable stories and humanized depictions of heroes and villains. And why after nearly 30 years in print, Batman: The Killing Joke is more thought provoking than ever, as its socio-economic themes are relatable to generation after generation.
With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.