One of Shakespeare’s early comedies, The Comedy of Errors is a fast-paced farce exploring mistaken identities and relations lost and found. This production was captured by Digital Theatre live at the Clapham Community Project. It was devised specifically for schools and families by the Royal Shakespeare Company in collaboration with critically acclaimed theatre company, Told by an Idiot. Directed by Paul Hunter, it features a cast made up from the RSC’s ensemble and uses a pared down script, props, live music and physical comedy to convey the story.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
A wretch employee wins a lot of money in the lottery and loses his mind. When he comes out of the mental hospital, he finds out that things at his home have changed radically.
Jose, an eleven-year-old luchador, retreats into a fantasy world until it is infiltrated by a tough 12-year-old girl. He uses his vivid imagination to make it through the toughest weekend of his life.
After losing his innocence, his best friend, and the love of his adolescence, this coming-of-age gangster drama follows Harman in an hour of his night within a new life of violence.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
A couple is going through marital troubles made worse when a previously unknown grandson shows up.
One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - Anthology Film Archive
Ria is a third grade student and she got a writing assignment about her holiday. But, she writes about her story with her mom instead.
A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.
A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.
Master chef Kate Armstrong runs her life and her kitchen with intimidating intensity. However, a recipe for disaster may be in the works when she becomes the guardian of her young niece while crossing forks with the brash sous-chef who just joined her staff. Though romance blooms in the face of rivalry, Kate needs to look outside the kitchen to find true happiness.
Martha is a single woman who lives for one passion: cooking. The head chef at a chic restaurant, Martha has no time for anything - or anyone - else. But Martha's solitary life is shaken when a fateful accident brings her sister's eight-year-old daughter, Lina, to her doorstep.
A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.
When Johnny is released from prison following a forgery charge, he quickly lands a job as a short-order cook at a New York diner. Following a brief fling with waitress Cora, Frankie develops an attraction for Cora's friend and fellow waitress Frankie. While Frankie resists Johnny's charms initially, she eventually relents when her best friend, Tim, persuades her to give Johnny a chance.