Le parcours d'un roi - Le Maroc de Mohammed VI

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Les Enfants de l’ovale... Un essai qui transforme !

A small village high up in the mountains of Ketama, Northern Morocco. The life of the people here has been shaped by the drug hashish for centuries. Hashish as daily work, hash as exchange currency, hashish as business, hashish as basis and philosophy of a social system, hashish as medium for dreams and hashish as reason for stagnation.

Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.

Furias

Yann Arthus-Bertrand flew over Morocco with his cameras and asked the journalist Ali Baddou to write and record the comment.

Four women are on an existential journey in Morocco, connecting with local women from all walks of life bonding in sisterhood, and share their common quest for empowerment.

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

In Casablanca, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the motives of the killing.

Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.

Mohammed V, père de l'indépendance marocaine

Twenty-third sovereign of the Alawite dynasty established in Morocco since the seventeenth century, Mohammed VI took over from his father Hassan II in 1999, and from the moment of his coronation, he positioned himself as a "king of the poor", close to the people. Naturally shy, he prefers to act rather than speak, defining a modern style of governance that has earned him great popularity from the start. Married to a young computer engineer, he asserted a policy of liberalization of morals and even made a critical review of the period of repression led by his father during the years of lead. However, he faces opposition from conservatives, which leads to the election of the Islamist PJD (Party of Justice and Development) as head of government, following the Arab Spring of 2011.

Ieri è Oggi

Zwaj El Waqt explores the themes of love and marriage in Morocco. Told through the testimonies of diverse couples, it tackles the issues of relationships, social media, control and sexuality in a conservative society that still struggles to discuss freely about those topics.

This video research is based on a trip to Morocco in July 2005, during which the director documented irregular migration transiting through Morocco, as well as their control. This geographical project focuses on the main migratory axes: Oujda, entry point for migrants in Morocco; Tangier, from where migrants can try to cross the strait or the fences of Ceuta; Rabat, organization space; and Laayoune, the closest point to the Canaries. The video questions the nature and meaning of these extraterritorial enclaves that structure the Moroccan territory.

The routines of two women fuse together as their similar gestures get repeated over time. Their hands intersect through their shared memory one movement at a time. The daily routine of Hayat in her absolute loneliness builds as she tries to recollect memories of her grandmother. We observe both their lives separately, the gestures of both women seem to be in an ongoing, subtle dialogue. The rhythm of the events slowly forms itself as their days go by. Eventually, the bond between them unravels the motherly love that unites them.