Una vez iniciado el fuego

Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.

A young autistic woman defies her doctor's prognosis of lifelong mutism and finds her voice through showing cats.

For 100 years, we have waged war on wildfire in the United States, and ironically, have created a more volatile landscape than ever.

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.

The Ax Fight (1975) is an ethnographic film by anthropologist and filmmaker Tim Asch and anthropologist Napoleon Chagnon about a conflict in a Yanomami village called Mishimishimabowei-teri, in southern Venezuela. It is best known as an iconic and idiosyncratic ethnographic film about the Yanomamo and is frequently shown in classroom settings.

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside Llywin Davies and possible origin of the stories they tells, the folk movement during the 1960s and the social and cultural ideas that it represented, the authenticity and the identity of folk music and the balance between the two, the future of folk music, etc. Included with the featurette are illustrations by Drew Christie. The featurette was created exclusively for Criterion in 2015.

In 2013, the Springfield, Missouri band Someone Still Loves You, Boris Yeltsin traveled to Russia as Cultural Ambassadors, having been formally invited by the Boris Yeltsin Foundation (who had accidentally discovered the band while Googling the former Russian president’s name). Filmmaker Brook Linder followed and chronicled the band’s strange connection with Russian history, leading to a reflection of the band’s own past.

In 1985, Barbra Streisand released "The Broadway Album," which remains one of her most popular records. Barbra's first television special on HBO debuted in 1986. The special—which combined an interview with director William Friedkin with documentary footage of Barbra in the recording studio making 'The Broadway Album' - was only 40 minutes long. The best of Broadway comes to life in the tour, as Streisand rehearses "Putting it Together," "Can't Help Lovin' That Man of Mine" and "If I Loved You." Also included is the music video for "Somewhere."

While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.

A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.

Omondi lives in the biggest slum in East Africa. Everyday he sees airplanes fly over him. He dreams of becoming an airline pilot and flying far away.

A German documentary that explores the darker side of the Beach Boys, primarily focusing on Brian Wilson and the Pet Sounds album, with detours to the Manson Family.

This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.

In 1971, four college students got together to form a rock band. Since then, that certain band called Queen have released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever 40 years on. But it was no bed of roses. No pleasure cruise. Queen had their share of kicks in the face, but they came through and this is how they did it, set against the backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Featuring brand new interviews with the band and unseen archive footage (including their recently unearthed, first ever TV performance), it is a compelling story told with intelligence, wit, plenty of humor and painful honesty.

Short documentary about the Thursday-bazaar of Minaab, a small city in South of Iran

Ram Dass is one of the most important cultural figures from the 1960s and 70s. A pyschedelic pioneer, author of Be Here Now, beloved spiritual teacher, and outspoken advocate for death-and-dying awareness, Ram Dass is now himself approaching the end of life. Since suffering a life-changing stroke twenty years ago, he has been living at his home on Maui and deepening his spiritual practice — which is centered on love and his idea of merging with his surroundings and all living things. Shot in a nuanced cinematic style, the film is an intimate summary of his life learning and awareness, and is ultimately a poetic meditation on life, death, and the soul’s journey home.

No Me Digas Wey

A film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. t-shirts and innovative costumes designed in honor of their dead.

At the Philadelphia abortion helpline, counselors field nonstop calls from women and teens who are seeking to end a pregnancy but can’t afford to, illustrating how economic stigma and cruel laws determine who has access to abortion in America.