Un contre un

Ummi Aminah, a 68 years old ustadzah (the term originally means teacher but in Indonesian urban contexts it often translates to Islamic preacher), has loyal congregation. She has seven children. From her first failed marriage, she has two children: Umar whose wife is Risma. Risma is a typical daughter-in-law, cynical and is not in a good relationship with Ummi’s family. Risma is always worried that Umar’s family will take advantage of their wealth. This often drives Umar over his edge so that he threateans to divorce Risma. Aisyah, the second daughter, is a housewife whose husband is Hasan, a middle level civil servant, with two little children.

Taiwanese worker, Shenshu, have married a mainland China wife, YuHua. Recently, YuHua is worried about her older sister who had ran away 2 months ago. YuHua plans to find her but Shenshu doesn’t allow as he is afraid that he will lose her.

In the wake of his brother's death, Aaron must learn to move past his grief, in order to return to the sport the pair shared together. --AVAILABLE ON YOUTUBE--

Tom Wilson is shaken from despair when his deceased wife Lisa returns home months after being killed in a car accident. With his own sanity in question, Tom must hold his family together while he unravels the truth of what happened and what is causing Lisa's new and increasingly dangerous behaviour

Three brothers who just lost their mother have to deal with their loss; all cling onto different things.

This is a typical story from the 'cold war' era. A group of kids play on a quiet street in Sofia. From a nearby window falls a key. The helpful youngsters quickly return it to the owner, but in the haste switch the keys. The unintentional error disentangles a whole spy story. The young detectives doubt the good intentions of the man they tried to help. It turns out that the key is from a secret apartment where saboteurs are hiding. The secret network is exposed to the authorities and the kids feel like heroes.

In a peripheral zone of Mexico City, the collection of money from merchants and residents of the area is an everyday occurrence. On a sunny Sunday, in a housing unit located in one of these areas, a merchant has not paid his fee and the hired killers have come to give him an ultimatum.

When his younger friends go up for adoption, threatening their extended family, an orphaned teen helps them discourage potential parents.

Many years after a deadly terrorist siege in a Moscow theatre, survivor Natalya returns to the crime scene to hold a memorial evening, finally able to confront her survivor's guilt and her estranged daughter and husband.

Baffling serial killings unfold in which the victims are tied up and left to starve. Tone was just released from prison after finishing his sentence for another crime, and he surfaces as a suspect but detective Tomashiro can't nail down conclusive proof.

Yasuo (Hiroshi Abe) grew up as an orphan. He married a woman he loved and they had a son Akira (later played by Takumi Kitamura). Yasuo's life seemed great at the time, but his life totally changed after his wife died in accident. Since that time, Yasuo, who never experienced parents' love himself, has to raise his son Akira alone.

The story of a Saharan family as it celebrates a wedding in the Tindouf refugee camp. The wedding is both the reason and the starting point for getting to know the members of this family who have reached a point where they must make important decisions.

Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.

The children of the Salazar family have been pursuing separate lives in the recent years. After a few years of not being together as a whole family, they find themselves reuniting when CJ announces his plan to marry Princess, his girlfriend for three months. Much to their shock and dismay, CJ's sisters come together for the wedding and have agreed to dissuade him from marrying his fiancée.

Stricken with grief after the loss of a loved one, a woman must confront her past in order to find peace.

In the wake of their Amma's deteriorating health, estranged brothers Rajesh and Shiva reunite, only to clash over BREATHE, an app offering to erase painful memories from their brains. Rajesh, a realist, and Shiva, a BREATHE addict, grapple with divergent approaches to coping. Against the backdrop of a society seduced by memory erasure, their battle becomes a poignant exploration of family, culture, technology, and the human spirit's resilience.

Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.

These five award-winning coming of age short films offer a glimpse of how boys and young men tackle life's difficult desires: confronting one's demons, understanding sexual relationships, gaining the respect of one's father, or simply running away from it all. This is only the start of their complex formative years, where not every question has an answer, and not every answer makes sense. The short films are: Boys [Pojkarna] (2015); Ioana (2015); Kiem Holijanda (2017); Picnic [Piknik] (2015); Tomer & Elias [Tomer en Elias] (2016).

An 18-year-old boy named Haewon hates his father for being unfaithful to his mother. In the same apartment block, Ha-young becomes an orphan after her father passed away. One night, they decide to take revenge on the irresponsible adults.

The story follows Iris at three points in her life: childhood, adolescence, and adulthood. Divided into three chapters, the narrative adapts the tales of The Bremen Town Musicians, Little Red Riding Hood, and Cinderella to explore, at ages 10, 16, and 26 respectively, how the environment of each life stage influences her personality and perception of the world.