Amar Dies Today

A Comedy-Drama film that tells us the importance of genuine bonds and relationships in the world of fake social media followers and online friends. It started off in the mid-90s era when the telephone was the only source of communication, apart from meeting people in person. The story showcases the life of Jatinder, his best friend Babban, and the love of his life Dolly and how the smartphone era changed their outlook on the world and puts their relationship to the test.

An impoverished widow is humiliated by her son and his new wife.

Sumit and Priyanka, an eloped couple, return to their hometown, due to the financial hardships caused by the lockdown. As Priyanka seeks to leave Sumit and return to her conservative father's home, Sumit, oblivious to this, wastes his time away.

Uday Singh a greedy, criminal sinister torments his nephew Satish for the property, completely making the kid grow-up to being insane. Though assuming Aarti to be his better half Satish gets married to her, but soon to his surprise the fact of her nasty game plan to steal the wealth has been revealed. Despite the fact he shows his genuine love - accepting her, parting her off with the money, on the condition that she agrees to stay life long with him. Having gauged the love she in-stores will power in Satish to fight back the goons for safety and justice, but Uday Singh sighting the danger gets him murdered. She stands up to being a sturdy feminine and decides, his son will be benevolent, yet will fight against injustice, and will disclose the fiasco which had been a nightmare when he is grown up to face the fact. Will she succeed? Will she fulfill her life long ambition?

Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.

Yehi Hai Zindagi is a hit 1977 Hindi-language film. Produced by B. Nagi Reddy, it is directed by K. S. Sethumadhavan. The film stars Sanjeev Kumar, Seema Deo, Utpal Dutt, Lucky Ali, Ramesh Deo and Neeta Mehta. The film's music was composed by Rajesh Roshan. It is a remake of the Tamil film Kaliyuga Kannan (1974).

Mumbai-based model and aspiring actress, Ria (Mahima Chaudhary), meets with stuntman, Dev (Dino Morea), and both fall in love. Shortly thereafter, she gets an offer to act as a lead actress with renowned film-maker, Muni Gandhi, and accordingly re-locates to Shimla to start the filming. Enroute, she excitedly telephones Dev and tells him of the scenic surroundings as well as the echo of bells in a tunnel that emanate from a Hanumanji Mandir. Several days later, when he does not hear from her, he decides to travel there. But before he could do so, he does get her telephone call in which she sounds distressed and asks him to help her. When he asks about her location, she is unable to provide any, and the phone gets disconnected. The question that haunts Dev is: Where is Ria, and how is he going to assist her when he does not even know her location?

Inspired by a real story of young girl's journey escape from the world of international sex trafficking.

After a bitter divorce from her Kolkata-based husband, Binita Sen re-locates to live in Modern Society, Navi Mumbai, along with her resentful daughter, Nitya. She is soon befriended by a kitty-party group consisting of Jasbeer Brar, Anita Jethmalani, Dilnavaz Noorani, Parimal Bhosle, Lata Kodialbal, and Sania Noorani, whose primary interest appears to be a daytime soap featuring modern characters of two lovers, Kunti and Arjun. Binita gets hired as a teacher, while Nitya gets a job at a call-center, MacMillan & Modi, through stock broker Feroz Sethna and Ritesh Jethmalani respectively. While Nitya gets attracted to Ritesh, she is a little dejected after she finds he has a steady girlfriend in Kirti Wagaskar.

The story revolves around a doctor living in the jungle with his daughter, surrounded by wild tribal people who are ruled by the jungle queen, Sheena.

The movie follows the journey of Ranveer Malhotra, who against all the odds, has to face deadly obstacles on a plane in order to survive.

A Gujarati housekeeper working in the United States, allows her ambitions to overpower her which leads her to get involved in the world of crime.

A Carefree and Confident Girl (Sanah Kapur) of her area who finds Love in Vikram(Randeep Rai).

The Cage of life

Pratyush, a social media influencer who is about to reach his biggest milestone in terms of followers to land a deal with a brand, loses his phone to a fan obsessed with him. Trapped in his own house without his phone, Pratyush must find a way to reclaim his identity and his career.

Rewa, a bride, is questioning her decision just moments before her wedding, and takes one last step before taking the leap.

A mother sacrifices for her family. But a step-son? This is a story of a woman, her step-son, her natural son, daughter and alcoholic husband. A freak accident occurs, where Prabhat, in saving his step-mother, ends up mute; which starts him on his journey of unappreciated sacrifice. A kind factory owner gives him a job, his labor supporting his half brother, sister and step-mother, while his father is in jail, and even after his release.

A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.

The film stars Dharmendra, Prem Nath and Bindu.

Gundeep and Nikhat are making a documentary on the government-based project of psycho women who killed several kids with her daughters. Prajakta Deshpande was a psycho woman who would sleep with men and kill them after robbing their valuables this bought a very bad upbringing for her daughter Rega who also lost mental imbalance as she was badly abused by Prajakta. Prajakta then married military officer Deshpande and had a daughter Shikha and things were going fine but old habits die soon.