We Can Always Make The World Better

In 1973, a precocious 15-year-old aspiring rock journalist lands a dream assignment from Rolling Stone to tour with a rising rock band, embarking on a coming-of-age journey as he discovers the exhilarating and heartbreaking realities behind rock stardom.

Paul struggles with growing older and longs for the days of his youth, because of this Paul is a coke addict trying to recapture the feelings he used to have, creating stress in his marriage to his "High School sweetheart" Sarah.

Chappy discovers a drug-smuggling scheme at his own air base. It turns out that the lives of some village people in Peru are at stake, and he decides to fly there with ancient airplanes and friends to free them.

After two tours of duty, Joe's life unravels as he waits for PTSD treatment.

Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.

A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese.

Estranged from his daughter and disowned by his father, Mike turns to drugs to escape the crushing numbness of his thoughts, while his brother struggles to piece their fractured family back together.

After running away from an abusive relationship that lasted for 8 years, Alec moves to Ireland to start over and rediscover himself. However, his journey takes an unexpected turn after Jonathan enters Alec's life.

When Officer Elijah Kane and his team of undercover cops discover a new lab drug flooding through the nightclubs of Seattle, they struggle to eliminate it from the streets immediately. As if dealing with a dozen dead ravers isn't enough, the cops begin to act as security guards for an obnoxious documentarian. They quickly become privy to the filmmaker's arrogance as he attempts to make a film regarding Seattle's underbelly.

When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons—they're not cops and they know the tough neighborhood in which they all live.

Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.

A retired cop and his new partner must put their differences aside while investigating a drug ring.

A woman suffering from drug addiction is interned against her will in a clandestine rehabilitation center where she suffers many cases of abuse and fights to survive against violence, prejudice and the loss of dignity.

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

Rick (Rutger Hauer), a disaffected sailor turned hard drinking womanizer, returns home from six months at sea to find his wife (Corrigan), whom he was deeply in love, has unexpectedly left him and is now a junkie whore. Devastated, he tries to ease his pain with booze and cheap thrills. His wife's best friend (Dagmar Lassander) makes a move on him, and when he spurns her (after scewing her first, naturally) she plots her revenge. She does so in an ingenious way, by exploiting a fantasy woman of his, but her plan backfires with tragic consequences.

Casper is haunted by feelings of self-blame and post-traumatic stress after the loss of his father. As he grapples with his grief, he becomes increasingly isolated and is forced to confront the darkness within himself.

The story of how George Jung, together with the Medellín Cartel led by Pablo Escobar, established the billion-dollar cocaine empire in the United States in the 1970s.

The day after they get the word they'll go home in two weeks, a group of soldiers from Spokane are ambushed in an Iraqi city. Back stateside we follow four of them - a surgeon who saw too much, a teacher who's a single mom and who lost a hand in the ambush, an infantry man whose best friend died that day, and a soldier who keeps reliving the moment he killed a civilian woman.

After his wife is murdered by street punks, a pacifistic New York City architect becomes a one-man vigilante squad, prowling the streets for would-be muggers after dark.

Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….