During the Covid-19 pandemic, four anxious strangers take a record-breaking dose of LSD, catapulting them into a shared psychedelic dream where they must find solace and redemption before they can return to the real world.
Davide and Loris are brothers and live in a very small village in the north of Italy. While Davide is eighteen years old and gay, Loris is almost thirty and doesn't know anything about his brother's sexuality.
Mateo, son of a notorious mob lord of the city, has been dumped by his wife who took his son away. He doesn't resist the shame and hires the most ruthless hit-man available to kill them. He hires Toro Loco, a cold, eccentric assassin with will bring the hell to this family, always under his own twisted rules.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.
"Golpe a golpe" (Family coup) was a Chilean television sitcom from the 1970s and 1980s. In this series, the family of the stern anti-communist dictator Augusto Pinochet found themselves forced to share their home with the spirit of the late former socialist president Salvador Allende, who was portrayed by a puppet. This short film aims to salvage this show's existence by extracting fragments from its surviving material.
A village reliant on a consistent supply of alcohol is rocked by the Coronavirus pandemic lockdowns.
The visions experienced by a man in the midst of Chile’s social revolt lead him to revisit different moments of his life while his mind wanders through a limbo of images. The journey will help him to finally discover why he’s in that place.
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.
Cool Cat loves to protect kids, but Dirty Dog hates children. Mad because Coronavirus is fading away, Dirty Dog makes his own virus to infect the kids – the Dirty Dog Virus! But the Dirty Dog Virus becomes a national danger, so Cool Cat enlists his family-friend Colonel Nalls and his Harrier Jet to help hunt down Dirty Dog and destroy the virus. Can Cool Cat stop the virus in time and save your life?
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
2021. After spending a year in confinement, a group of high school students and their two teachers begin an end-of-year trip to Mallorca. This great plan is the last opportunity they have to all be together, make up for lost time, be able to have fun like they have never had before and say goodbye to this crazy stage of their lives. However, a new coronavirus outbreak disrupts all their plans and forces them to stay locked in their hotel rooms. More than 50 students, 2 teachers, a hotel and many, many minibars... What could go wrong?
A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.
The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
The star journalist of 31 Minutos, Juan Carlos Bodoque, is entrusted with the task of going to the North Pole to collect Christmas gifts from the entire town of Titirilquén, however, his temptation to gamble will get in the way of his mission. Meanwhile, Mario Hugo tries to put on a Christmas show in the studio, but everything ends up going wrong.
A glimpse at the few days and nights in the lives of a brother and sister, Amanda and Tito, in Santiago’s semi-criminal underworld. A rambling portrait of Chilean society.