A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
Find Fix Finish delves into the stories of three US-Drone pilots revealing the clandestine operational strategies practiced by the US Government.
A documentary that captures some moments on set of filming of Luc Besson's "Nikita".
Away from people, animals, forests and fields stood a very tall tree. It did not need anyone, it was completely indifferent to everyone. Once a cat wanted to learn the style of life of the tree, which has allowed her to stay near it, so that she could take over its attitude to everything around. But eventually the cat affects the tree as well...
Supermodel Adriana Lima presents a behind-the-scenes look at the FIFA congress in the Rwandan capital of Kigali in March 2023, which made Kigali the first-ever host city of a FIFA elective congress in Africa.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.
Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
Ombr
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
Join the Croods as they settle down for a very prehistoric family movie night experience. With shadowy figures around every corner, Eep must keep Gran and her delicious Bronana Bread safe from punch monkeys.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
Eep reveals how a comical accident led her and Dawn to discover the joys of tricking their families and set about performing "the world's first pranks."
The history of the ancient neighborhood of Colonus in Athens, by a novelist and script writer who lives in modern-day Kolonos.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.