Architecture of Hope- For the Ruins of the Present

“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the lives of some of the area’s most influential dancers.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.

In 2020, the World was closed. Life got cancelled. People were struggling. Here’s an emotional and entertaining true story shot live, during the pandemic, about courageous people who came together, despite the risk, to share their love with one another. The film opens in Times Square on NYE 2020. Everything seemed right with the World. Fast-forward six months into the pandemic, hundreds of artists from all different performance art genres are invited to come together over the course of several consecutive days, culminating in a group costume parade event on 10/10/2020 to witness the only live performances happening ANYWHERE. The goal was to lift each other's spirits during the 2020 Covid-19 pandemic. There were over a dozen genres represented including acrobatics, live music, magic, dance, and even a wedding. Dozens of unscripted live interviews were recorded and the event proved a huge success. The film captures the rawness of what it was like living during this unprecedented time.

Marta Cardoso, a young dancer from northern Portugal, moves through Lisbon with restless energy, between precarious routines, affections, and a daily life in constant imbalance. Dance becomes her refuge and her cry: a space where the body finds freedom and instinct, and where gesture replaces words. When dancing, she feels close to her inner animal.

The theatre play is set in the late Heian (794–1185) and early Kamakura period (1185–1333) in Japan. The main character is young adult Minamoto no Yoshitsune, from the Minamoto clan. Like previous chapters, it is a historical fiction, a world with supernatural powers and spirits (Mononokes). The idea was to create a story where the Oni (Japanese demons) were the origin of vampires, and eventually of the central character.[19] In the Heian period existed those called as Mononoke (spirits), and Mononofu, who were born between humans and Mononoke, and with special powers dominated both Mononoke and humans. The story from Mysteries of Yoshitsune spreads out when the member with inherited blood crossed over to Europe, and became the progenitor of the later vampires.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

From the 1st projection to the newest technology IMAX and 4DX, we will travel trough the history of french theaters, asking questions about technological developments throughout history, and finally, the hoped-for future of movie theaters and how they envision themselves in 20 years.

A century after a village and its paper mill were abandoned, a group of actors is tasked with recreating the fantasized daily life of its inhabitants.

Vocation is a documentary on artists who knew from a very early age they wanted to be an artist. A decision that for them was instinctual and some may even say it is 'a calling' based on faith and perhaps even fate alone. Artists Andy Jones, Deepa Mehta, Marie Brassard, Christopher Pratt, Brad Peyton and Bif Naked are committed to creating work in theatre, literature, music, film and performance based on an innate desire to succeed while working in the precarious profession of art.

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

At age 20, Guillaume Diop risked his career to sign a manifesto against racism at the Paris Opera. But just three years later, he was named a Danseur Étoile — a star dancer — in the Paris Opera Ballet, one of the world’s most prestigious companies. As the first Black Danseur Étoile, Guillaume is thrust into becoming a role model and a national symbol for diversity. But, as YOUNG, BLACK AND GIFTED shows us, in intimate conversations with family and friends, he sometimes questions whether he is ready for this responsibility.

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

1918 - A woman imagines her lover has returned from the horrors of war in France, remembering moments shared together. A tale of love and loss told through classical ballet.

The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.

Facing financial challenges and constant risks of injury, an innovative ballet company strives to bring the iconic Canadian story of Anne of Green Gables to new diverse audiences.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

A woman, an artist and dancer, sets out to reclaim her childhood memories shared with her late grandmother—a bond forged through their mutual passion for painting. Through the delicate recovery of her grandmother’s floral works, she engages in a silent dialogue with the gestures of an ancient practice. She conjures a fictional exchange, a spellbinding journey between dimensions. This intimate quest transcends disciplines, seeking intergenerational connection and answers.